- COLLEGE ROAD TRIP (DVD MOVIE)
In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.
Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.
That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.
Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.
But on the eve of his sure conviction arrives a fateful telephone call.
It's not the governor, but his long-lost uncle, Aidan O'Connell.
A veteran of the IRA an! d a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.
Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.
Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.
Decorated NYPD Officer John Coglin always thought his picture on the front page! of the newspaper would be one for the scrapbook.
That was! before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.
Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.
But on the eve of his sure conviction arrives a fateful telephone call.
It's not the governor, but his long-lost uncle, Aidan O'Connell.
A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.
Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.
! Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.
Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.
That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.
Now, instead of another commendation, Coglin is staring down the barr! el of a media- and politics-stoked murder rap.
But on the ! eve of h is sure conviction arrives a fateful telephone call.
It's not the governor, but his long-lost uncle, Aidan O'Connell.
A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.
Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.
Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.Before the Devil Knows You're Dead reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm German Style D mini poster print
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Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (unfortunately) cheap new CGI. Still, it's t! ruly fascinating, offering a different insight into a flawed m! asterpie ce. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.
The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here.
Each movie is complemented by a separate disc packed with h! ours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. DalkinALIEN 3 - DVD MoviePerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scie! ntists on a space colony have cloned both the alien and Ripley! (Sigour ney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineAn interesting feature of Alien, Aliens, Alien 3, and Alien Resurrection, worth watching together if only for the chance to see how different directors handle essentially the same idea. The results are decidedly mixed. Ridley Scott's Alien is the most traditional of the bunch, essentially a haunted-house picture set on a space freighter, where a monster is picking off crew members one by one. Ja! mes Cameron's Aliens is the all-out adrenaline bath, a pulse-pounding action thriller from start to finish. It plays a little like a Western in outer space, where the settlers are waiting for a cavalry that never comes--and the Indians are acid-veined aliens. And David Fincher's Alien 3 is the rock-video version, in which substance and storytelling are sacrificed to editing and imagery, as the aliens attempt to take over a space penal colony. --Marshall FineTake two parts weak plot, a hint of bad controls and crummy auto aiming, add a dash of overdone stretches of boredom amidst short stretches of rather fierce action, and you've got Alien: Resurrection's downside. But here's the upside: these are Ridley Scott's aliens, and they're coming for you relentlessly. The game gives you the heebie-jeebies when you're playing it all alone with the lights turned low. The tension often can become palpable as you reload your weapon, administer a healt! h pack, and pray that the beasts don't hit you from a directi! on that you hadn't anticipated.
The premise of the game is pretty standard Alien fare: you, as Ripley, are locked in a life-or-death outer-space struggle to keep the devious Dr. Wren from bringing alien samples to earth. What more is there to know?
The atmosphere that's created by Alien: Resurrection's various environments, animations, and sounds is the primary reason to purchase this game. Because it relies heavily on suspense (the sense that these adversaries can be nowhere and everywhere at the same time has never been more real in a game), Alien: Resurrection sometimes can go even beyond what you'd consider merely scary to an entirely new terrorizing experience. The game engine supports all of this with atmospherics like lighting effects, fogging, dripping water (and blood?), and other particle effects, without causing you to endure much--if any--slowdown.
But suspense can go only so far. As in the movies, if the actual confrontations ! with the aliens don't live up to expectations, the whole game suffers. Even as they start off with a bang, the alien encounters follow a script. After making a dramatic entrance, they mostly just give you the bum's rush without any thought for using available cover, or even jogging from side to side as they advance. With their plodding movements, it's no surprise, when you actually get into the alien firefight that you've been expecting and craving, that the tension completely disappears. --Todd Mowatt
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