Friday, November 11, 2011

Before the Devil Knows You're Dead Poster Movie German D 11x17 Philip Seymour Hoffman Ethan Hawke

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
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  • Before the Devil Knows You're Dead 11 x 17 Inches German Style D Mini Poster
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Master filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep! . Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patriarch who pursues justice at all costs, completely unaware that the culprits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionall! y locked-up Andy, despite pulling down six figures as a corpor! ate exec utive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpic! o) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom KeoghMaster filmmaker Sidney Lumet directs this absorbing suspense thriller about a family facing the worst enemy of all itself. Oscar®-winner Philip Seymour Hoffman plays Andy, an overextended broker who lures his younger brother, Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is, the store owners are Andy and Hank s actual mom and pop and, when the seemingly perfect crime goes awry, the damage lands right at their doorstep. Oscar-winner Marisa Tomei plays Andy s trophy wife, who is having a clandestine affair with Hank. The stellar cast also includes Albert Finney as the family patria! rch who pursues justice at all costs, completely unaware that ! the culp rits he is hunting are his own sons. A classy, classic heist-gone-wrong drama in the tradition of The Killing and Lumet s own The Anderson Tapes, BEFORE THE DEVIL KNOW YOU RE DEAD is smart enough to know that we often have the most to fear from those who are near and dear.Sidney Lumet’s Before the Devil Knows You’re Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents’ jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman’s steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intell! igence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil fee! ls a little reductive and insistently grim, it is also a gener! ally per suasive work by an old master. --Tom Keogh

In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.

But on the eve of his sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA an! d a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page! of the newspaper would be one for the scrapbook.

That was! before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barrel of a media- and politics-stoked murder rap.

But on the eve of his sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

! Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.In the full-throttle, noir-soaked tradition of Dennis Lehane and Michael Connelly, the acclaimed young author of Bad Connection unleashes an ambitious and edgy new thriller pulsating with raw, urban energy.

Decorated NYPD Officer John Coglin always thought his picture on the front page of the newspaper would be one for the scrapbook.

That was before he had the bad luck to be forced into a witness-free, kill-or-be-killed confrontation with a drug-dealing thug. It's of no help to him that the incident took place during the run-up to a bitter mayoral election campaign, and that his adversary was sixteen years old and black.

Now, instead of another commendation, Coglin is staring down the barr! el of a media- and politics-stoked murder rap.

But on the ! eve of h is sure conviction arrives a fateful telephone call.

It's not the governor, but his long-lost uncle, Aidan O'Connell.

A veteran of the IRA and a recently released guest of San Quentin Penitentiary for armed-to-the-teeth robbery, Aidan offers his nephew a pardon that has nothing to do with lawyers.

Coglin is about to find out that the type of amnesty Uncle Aidan is proposing is the kind that involves a beautiful but dangerous Mafia widow, a car trunk full of M-16s, and thirty million dollars in jewels smack dab in the middle of Rockefeller Center.

Before the Devil Knows You're Dead is a highly entertaining, deliciously gritty, super-fast thriller that takes us on a cutthroat ride into an urban realm where criminal intent collides head-on with the vagaries of fate and the inscrutabilities of the human heart.Before the Devil Knows You're Dead reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm German Style D mini poster print

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Humboldt County

  • At the edge of the continent and on the margins of society is a region of California known to some as "The Lost Coast." It is there, in HUMBOLDT COUNTY, that Peter Hadley (Jeremy Strong) a promising yet disillusioned medical student failed by his professor (Peter Bogdanovich) stumbles upon a remote community of counterculture marijuana farmers and a warmly embracing, yet eccentric family played by
Peter a promising yet disillusioned medical student is failed by his professor (who also happens to be his father). Peter ends up in bed with a nightclub singer named bogart who invites him with her to humboldt county a remote community of counter- culture marijuana farmers where he is embraced by her family. Studio: Magnolia Pict Hm Ent Release Date: 01/13/2009 Starring: Peter Bogdanovich Chris Messina Run time: 98 minutes Rating: R

Enlighten Up! DVD

  • ENLIGHTEN UP! (DVD MOVIE)
Filmmaker Kate Churchill is determined to prove that yoga can transform anyone. Nick Rosen is skeptical but agrees to be her guinea pig. Kate immerses Nick in the practice and follows him around the world as he examines the good, the bad and the ugly of yoga. The two encounter celebrity yogis, true believers, kooks and world-renowned gurus. Tensions run high as Nick s transformational progress lags and Kate s plan crumbles. Ultimately, what they find is not what they are looking for.
FEATURING: B.K.S. Iyengar, Pattabhi Jois, Norman Allen, Sharon Gannon, David Life, Gurmukh, Dharma Mitra, Cyndi Lee, Alan Finger, Rodney Yee, Beryl Bender Birch, Shyamdas, Diamond Dallas Page and many more!

DVD Features: Audio Commentary with Director Kate Churchill; Deleted Scenes; Extended Interviews with Yoga Luminaries; Photo Gallery

Q&A with Enlighten Up! director Kate Churchill and New York journalist Nick Rosen

How did the two of you come in contact with one another? Kate, where did you locate subjects for the film?

Kate Churchill: Nick and I met each other at a think tank conference. We were seated on the same panel and afterwards starting chatting about the work we were each doing. Nick was working as a journalist at the time and interested in documentary films so he sent me some of his articles to read for a possible future project. About 4 months later when the producers and I were debating how to tell this story, he became a potential subject for the film. I liked that he was a journalist, had a good sense of humor and that he was skeptical.

Nick Rosen: Yeah, it was funny because it was a conference panel I was totally unprepared for and I didn't even know I was on, and I totally fa! ked and joked my way through it, trying to make people laugh t! o mask m y total and utter cluelessness. And then Kate fell for it! I often wonder if I had prepared for that panel, and nobody much noticed me, whether Kate would have ever introduced herself, and later pick me for the movie. Lesson for the kids: always be unprepared.

Did the making of this documentary help you to come to terms with some of the "contradictions of yoga" that you wished to explore?

Kate Churchill: When I started making Enlighten Up! I was determined to find one teacher, or one practice that would have all of the "right answers" and help me overcome what I saw as the contradictions of yoga. Through the course of making the film, and especially during the three years editing Enlighten Up! I learned that there isn’t one teacher or a single practice that will have all the answers, and therefore everyone is going to have their own take on yoga based on what makes sense to them.

Were th! ere any moments that were not captured on camera that you wished had been? Conversely, were there any moments that you did not want to relive when you saw the finished product?


Nick Rosen: I think Kate did a really good job of covering all the big important moments. But there were stretches of time that I was practicing yoga without the camera. There was one time when the whole yoga class was sitting cross legged in a circle listening to the teacher give some weighty lecture on Hinduism, andâ€"oopsâ€"I farted. The whole class heard it and the teacher thought it was someone speaking up and said, "What was that, does anyone have a question?" That would have been a pretty funny scene in the movie.The documentary Enlighten Up! takes a whimsical, skeptical, and ultimately thoughtful look at the mysteries of yoga. Taking an approach similar to Supersize Me, filmmaker (and student of yoga) Kate Churchill wants to see what happens! when someone is first exposed to this physical and spiritual ! discipli ne. She chooses Nick Rosen, a former journalist with a skeptical attitude towards religion. Their investigation--which gradually turns combative, forcing Churchill to re-examine her own assumptions--takes them from the commercial yoga studios of New York (where one student says, with a beatific smile, that yoga gives you better sleep, better sex, and will inspire new ways to make money) to a former pro wrestler's "t & a" yoga in Los Angeles and on to India--where they discover as many perspectives on yoga as there are yogis. Rosen, with his open but down-to-earth attitude, proves an excellent lens to view a subject all too often treated with blissful and vapid reverence. The movie is sprinkled with humor and people twisting themselves into astonishing shapes, as well as stimulating and often contradictory ideas and metaphors that paint a very diverse picture of the world of yoga. Enlighten Up! blends philosophical discourse, personal drama, and a beautiful travelogue-! -the result is a satisfying film that doesn't pretend to have any answers but grapples with intriguing questions. --Bret Fetzer

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In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene, Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American's in sport with his proud public self confidence with his unapologetic belief that he is the greatest boxer of all time. To his credit, he sets out to prove that with his highly agile and forceful style soon making him a formidable boxer who soon claims the heavyweight championship. His personal life is no less noteworthy with his allegiance to the Nation of Islam, his friendship with the controversial Malcolm X and his abandonment of his slave name! in favour of Muhammad Ali stirring up controversy. Yet, at the top of his game, both Ali's personal and professional lives face the ultimate test with the military draft rules are changed, making him eligible for military induction during the Vietnam War. Despite the fact that he could easily agree to a sweetheart deal that would have meant an easy tour of duty for himself, Ali refuses to submit on principle to cooperate in an unjust war for a racist nation that treated his people so poorly. The cost of that stand is high as he finds himself unable to legally box in his own country while his case is contested in court. What follows is a battle for a man who would sacrifice so much for what he believes in and a comeback that would cement his legend as one of the great sports figures of all time.Ali is a rush of charm, violence, and well-crafted mythmaking sure to enthrall. From the unforgettable surge of the opening--a 10-minute montage of sheer brilliance where form! ative scenes from the early life of Cassius Clay float along o! n the ra pture of a live performance by Sam Cooke in a Harlem nightclub--through to Muhammad Ali's departure for Zaire to fight George Foreman, Michael Mann's homage is mostly crisp and fleet-footed. As Clay/Ali, Will Smith acquits himself marvelously due in large part to his uncanny re-creation of Ali's most famous weapon, his mesmerizing voice. Indeed, the best scenes throughout showcase Ali's verbal rather than pugilistic sparring; whether with his entourage (notably Jamie Foxx), Howard Cosell (Jon Voight), or Don King (Mykelti Williamson), Michael Mann's Ali has the same authoritative wit and ability to surprise that so disarmed the public. The news conferences and behind-the-scenes banter are exquisitely re-created; not so Ali's flaws. Mann's attempt to depict Ali's womanizing, his dubious affiliation with the Nation of Islam, and his insatiable need for the spotlight seems halfhearted and laborious in comparison to the film's enlivened adoration of its subject. As the sluggish ! second half of the film betrays, Ali is at its impressionistic best when it's in awe rather than when it explains. --Fionn Meade ALI:DIRECTOR'S CUT - DVD Moviealli is more than just a pill. It's an innovative weight loss program that works with you, not for you. alli can help you lose 50% more weight than dieting alone, but you have to do your part by changing the way you eat and live to see results. Is the hard work worth it? Yes. With alli you can achieve gradual and healthy weight loss. If you do your part, alli can teach you smart eating and activity habits you can follow for a lifetime. ! !
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Alien Resurrection

  • Detailed item info Product Information ALIEN RESURRECTION follows the same basic plot as the film. Scientists are able to bring Lt. Ellen Ripley back from the grave. Unfortunately, they also bring back the acid-spewing menaces that follow her around. As a way of getting rid of the aliens, the installation has been rigged to self-destruct. Take control of Ripley as tries to fight her way through the ship and its unwelcome guests. Use handguns, rifles, auto-turrets, ice blasts, and an ultra powerful flame-thrower to journey through 10 levels of face- huggers, chest-bursters, and other alien warriors. Luckily, several members of the crew have survived, and after Ripley saves one of them, he or she will become a playable character. For the best experience, play the game in the dark and become absorbed by the atmosphere. Play ALIEN RESURRECTION, and help Ripley live to fight another day.
  • Product Id! entifiers Game Alien Resurrection UPC 086162046087 Key Features Platform Sony PlayStation ESRB Rating M - Mature Genre Action, Action, Adventure, Shooter Tech Details ESRB Descriptor Animated Violence, Blood, Gore Control Elements Gamepad, Joystick Number of Players 1 Release Year 2000 Game Special Features Over 10 challenging levels, clear and detailed sound and lighting effects, variety of weapons and environments, based on the original movie series Support Elements Analog Control, Dual Shock, Memory Card, Vibration Function Compatible Game Series Alien
ALIEN RESURRECTION - DVD MoviePerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the al! ien and Ripley (Sigourney Weaver), who died in Alien 3! ; in doi ng so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineA group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.Perhaps these films are like the Star ! Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineStudio: Tcfhe Release Date: 05/10/2011 Run time: 109 minutes Ratin! g: RPerhaps these films are like the Star Trek movies: ! The even -numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scientists on a space colony have cloned both the alien and Ripley (Sigourney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineAlien
The terror begins when the crew of a spaceship investigat! es a transmission from a desolate planet, and discovers a life form that is perfectly evolved to annihilate mankind. One by one, each crew member is slain until only Ripley is left, leading to an explosive conclusion that sets the stage for its stunning sequel, "Aliens."

Aliens
In this action-packed sequel to Alien, Sigourney Weaver returns as Ripley, the only survivor from mankind's first encounter with the monstrous Alien. Her account of the Alien and the fate of her crew are received with skepticism - until the mysterious disappearance of colonists on LV-426 leads her to join a team of high-tech colonial marines sent in to investigate.

Alien 3
Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard! her craft are confirmed when the mutilated bodies of ex-cons ! begin to mount. Without weapons or modern technology of any kind, Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien, a realization that may compel Ripley to try destroying not only the horrific creature but herself as well.

Alien Resurrection
A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own.The Alien Quadrilogy is a nine-disc boxed set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here they have b! een repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form.

Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (unfortunately) cheap new CGI. Still, it's t! ruly fascinating, offering a different insight into a flawed m! asterpie ce. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.

The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here.

Each movie is complemented by a separate disc packed with h! ours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. DalkinALIEN 3 - DVD MoviePerhaps these films are like the Star Trek movies: The even-numbered episodes are the best ones. Certainly this film (directed by French stylist Jean-Pierre Jeunet) is an improvement over Alien 3, with a script that breathes exciting new life into the franchise. This chapter is set even further in the future, where scie! ntists on a space colony have cloned both the alien and Ripley! (Sigour ney Weaver), who died in Alien 3; in doing so, however, they've mixed alien DNA with Ripley's human chromosomes, which gives Ripley surprising power (and a bad attitude). A band of smugglers comes aboard only to discover the new race of aliens--and when the multi-mouthed melonheads get loose, no place is safe. But, on the plus side, they have Ripley as a guide to help them get out. Winona Ryder is on hand as the smugglers' most unlikely crew member (with a secret of her own), but this one is Sigourney's all the way. --Marshall FineAn interesting feature of Alien, Aliens, Alien 3, and Alien Resurrection, worth watching together if only for the chance to see how different directors handle essentially the same idea. The results are decidedly mixed. Ridley Scott's Alien is the most traditional of the bunch, essentially a haunted-house picture set on a space freighter, where a monster is picking off crew members one by one. Ja! mes Cameron's Aliens is the all-out adrenaline bath, a pulse-pounding action thriller from start to finish. It plays a little like a Western in outer space, where the settlers are waiting for a cavalry that never comes--and the Indians are acid-veined aliens. And David Fincher's Alien 3 is the rock-video version, in which substance and storytelling are sacrificed to editing and imagery, as the aliens attempt to take over a space penal colony. --Marshall FineTake two parts weak plot, a hint of bad controls and crummy auto aiming, add a dash of overdone stretches of boredom amidst short stretches of rather fierce action, and you've got Alien: Resurrection's downside. But here's the upside: these are Ridley Scott's aliens, and they're coming for you relentlessly. The game gives you the heebie-jeebies when you're playing it all alone with the lights turned low. The tension often can become palpable as you reload your weapon, administer a healt! h pack, and pray that the beasts don't hit you from a directi! on that you hadn't anticipated.

The premise of the game is pretty standard Alien fare: you, as Ripley, are locked in a life-or-death outer-space struggle to keep the devious Dr. Wren from bringing alien samples to earth. What more is there to know?

The atmosphere that's created by Alien: Resurrection's various environments, animations, and sounds is the primary reason to purchase this game. Because it relies heavily on suspense (the sense that these adversaries can be nowhere and everywhere at the same time has never been more real in a game), Alien: Resurrection sometimes can go even beyond what you'd consider merely scary to an entirely new terrorizing experience. The game engine supports all of this with atmospherics like lighting effects, fogging, dripping water (and blood?), and other particle effects, without causing you to endure much--if any--slowdown.

But suspense can go only so far. As in the movies, if the actual confrontations ! with the aliens don't live up to expectations, the whole game suffers. Even as they start off with a bang, the alien encounters follow a script. After making a dramatic entrance, they mostly just give you the bum's rush without any thought for using available cover, or even jogging from side to side as they advance. With their plodding movements, it's no surprise, when you actually get into the alien firefight that you've been expecting and craving, that the tension completely disappears. --Todd Mowatt

Pros:

  • Genuinely suspenseful
  • Great graphics and atmospherics
Cons:
  • Weak plot, with boring stretches
  • Predictable alien encounters

MLCS 8382 Cove Router Bit 4-Piece Boxed Set

  • Boxed router bit sets make perfect gifts
  • Quality carbide-tipped bits at a great price
  • Perfect for decorative edges and drop leaf table joints
  • Wood storage box included
  • MLCS quality guaranteed
The people of Cedar Cove know how to celebrate Christmas. Like Grace and Olivia and everyone else, Beth Morehouse expects this Christmas to be one of her best. Her small Christmas-tree farm is prospering, her daughters and her dogs are happy and well, and her new relationship with local vet Ted Reynolds is showing plenty of romantic promise.

But…someone recently left a basket filled with puppies on her doorstep, puppies she's determined to place in good homes. That's complication number one. And number two is that her daughters Bailey and Sophie have invited their dad, Beth's ex-husband, Kent, to Cedar Cove for Christmas. The girls have visions of a mom-a! nd-dad reunion dancing in their heads.

As always in lifeâ€"and in Cedar Coveâ€"there are surprises, too. More than one family's going to have a puppy under the tree. More than one scheme will go awry. And more than one romance will have a happy ending!Dear Reader,

You've probably heard that my wife has left me. Rachel's pregnant, and she says she can't handle the stress in our household anymore. My thirteen-year-old daughter, Jolene, is jealous of her. Maybe it's my fault. As a widower I spoiled herâ€"

Jolene was reading over my shoulder just now and says that's not true. She claims Rachel ruined everything. But that's not true. The real question is: How can I get my wife back? I don't even know where she is. She's not with Teri Polgar or any of her other friends from the salon. The other question is…when will Jolene grow up and stop acting like such a brat?

Of course, I'm not the only one in town with problems. Linc Wyse's father-in-law is trying to! destroy his business. And you know Charlotte Rhodes? Seems sh! e's beco ming forgetful, and the family's worried about her and Ben. Lots of other stuff going onâ€"but Rachel is better at keeping up with it than I am.

If you have any idea where my wife is, give me a call. Please.

Bruce Peyton

Surrounded by potential enemies, Hannah McGarry faces the mystery of her husband's suspicious death, the prospect of bankruptcy ... and the disappearance of the fabulous Black Trinity necklace that was to be her financial security. Desperate, she calls Archer Donovan, a silent partner in Pearl Cove, her late husband's pearl farm venture. He might help her ... if the price is right.

Setting: Contemporary Seattle, Washington, and Pearl Cove, Australia
Sensuality: 8

The eldest brother in one of Seattle's most powerful families, Archer Donovan is handsome, dangerous, and fascinated by pearls. He's also been in love with Hannah McGarry, his half-brother's wife, for the last 10 years. Far away in Australia, Hannah's loveless marriage ends in violen! ce when a cyclone tears apart her pearl farm and her husband, Len, dies. But Len's death wasn't an accident; he was murdered. Desperate for help, Hannah places a call to Archer, who rushes to her side and quickly finds that powerful competitors in the pearl trade are circling Pearl Cove like buzzards.

Businessmen, criminals, and government agencies are willing to do whatever it takes to find a fabulous pearl necklace, named the Black Trinity, and to learn Len's secret formula for producing the extraordinary black pearls. Racing against time and tracked by enemies too numerous to count, Archer and Hannah begin a dangerous game of hide and seek to find Len's murderer and recover the Black Trinity. But even if the two lovers survive their adventure, will Archer find a way to convince Hannah that he's a different man from his unbalanced half-brother? And can Hannah find the courage to chance her heart and love again?

Readers who have waited impatiently for this third book! about the Donovan family won't be disappointed. Lowell combin! es her t rademark sophisticated suspense and sexual intensity with a plot rich in the fascinating lore of cultured pearls and full of Australian atmosphere and the sights and sounds of Seattle. --Lois Faye DyerBoxed Set includes 4 two-flute, quality Carbide-tipped router bits with totally enclosed ball bearing guides in sizes 1/8", 1/4", 3/8", 1/2" R. All Bits are 1/2" shank.

E.T : The Extra Terrestrial Plush Doll Key Chain

  • Official licensed merchandise
  • 1982 E.T movie
  • Key Chain
  • Plush Doll
  • Approx 5 inches
Director Steven Spielberg's heartwarming masterpiece is one of the brightest stars in motion picture history. Filled with unparalleled magic and imagination, E.T. follows the moving story of a lost little alien who befriends 10-year-old, Elliot. Experience all the mystery and fun of their unforgettable adventure in the beloved movie that captivated audiences around the world.Steven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impress! ion as his siblings, and Dee Wallace is lively as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom KeoghSteven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom KeoghThe story of a lost alien, befrien! ded by a young boy who helps him return to his planet.
G! enre: Feature Film Family
Rating: PG
Release Date: 22-OCT-2002
Media Type: DVDSteven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom KeoghET EXTRA TERRESTRIAL - DVD MovieSteven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furth! ered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom KeoghSteven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids' mot! her. The special effects almost look a bit quaint now with all! the com puter advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom KeoghSteven Spielberg's 1982 hit about a stranded alien and his loving relationship with a fatherless boy (Henry Thomas) struck a chord with audiences everywhere, and it furthered Spielberg's reputation as a director of equally strong commercial sensibilities and classical leanings. Henry Thomas gives a strong, emotional performance as E.T.'s young friend, Robert MacNaughton and Drew Barrymore make a solid impression as his siblings, and Dee Wallace is lively as the kids' mother. The special effects almost look a bit quaint now with all the computer advancements that have occurred since, but they also have more heart behind them than a lot of what we see today. --Tom KeoghBrand new, licensed merchandise

It's Called a Breakup Because It's Broken: The Smart Girl's Break-Up Buddy

  • ISBN13: 9780767921961
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
There’s no doubt about itâ€"breakups suck. But in the first few hours or days or weeks that follow, there’s one important truth you need to recognize: Some things can’t and shouldn’t be fixed, especially that loser who dumped you or forced you to dump him. It’s called a breakup because it’s broken, and starting right here, right now, it’s time to dry your tears, put down that pint of ice cream, log out of his e-mail, and open this book to Chapter Oneâ€"and start turning your breakup into a breakover.

From Greg Behrendt, the co-author of the smash two-million copy bestseller He’s Just Not That Into You, comes It’s Called a Breakup Because It’s Broken--the ! ultimate survival guide to getting over Mr. Wrong and reclaiming your inner Superfox. From how to put yourself through “he-tox,” to how to throw yourself a kick-ass pity party, Greg and his wife, Amiira, share their hilarious and helpful roadmap for getting past the heartache and back into the game. You will learn:

• Why you shouldn’t call himâ€"and what he’s thinking when you do
• How to keep your friends and not lose your job
• How to avoid breakup pitfalls: IMing, stalking, having sex with your ex
• Reframing realityâ€"seeing the relationship for what it was
• How to transform yourself into a hot, happening Superfox and get a jump on the better, brighter future that awaits

Complete with an essential workbook to help you put the crazy down on paper and not take it out into the world, It’s Called a Breakup Because It’s Broken is a must-have manual for finding your way back to an even more rocking you.

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