The Visitor

• Condition: New
• Format: DVD
• Anamorphic; Color; Dolby; DVD; HiFi Sound; NTSC; Surround Sound; THX; Widescreen

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America, DreamKeeper, Skins) plays Lila, and Oscar nominee Michael O'Keefe (The Great Santini, Caddyshack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women that the taut suspe! nse grips the full spectrum of your emotions. This is an impre! ssive de but by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

Frozen River is a dramatic feature film which takes place in the days before Christmas near a little-known border crossing on the Mohawk reservation between New York State and Quebec. Here, the lure of fast money from smuggling presents a daily challenge to single moms who would otherwise be earning minimum wage. Two women- one white, one Mohawk, both single mothers faced with desperate circumstances- are drawn into the world of border smuggling across the frozen water of the St. Lawrence River. Melissa Leo (21 Grams, The Three Burials of Melquiades Estrada, television's Homicide: Life on the Street) plays Ray, Misty Upham (Edge of America! , DreamKeeper, Skins) plays Lila, and Oscar ! nominee Michael O'Keefe (The Great Santini, Caddyshack, Ironweed) plays the New York State Trooper who ultimately brings the two to justice.When her husband runs off with the payment for their new home, Ray (Melissa Leo, The Three Burials of Melquiades Estrada) turns to crime to keep herself and her two sons afloat. A chance encounter with Lila (Misty Upham, Edge of America), an equally desperate young Mohawk woman, leads Ray to smuggling illegal immigrants by driving across the frozen Hudson River onto tribal land. But with every trip, things go wrong in small and not-so-small ways, until Ray finds herself pushed into a more desperate corner than ever before. Leo delivers a gritty, restrained, but richly compelling performance; her raw face, beautiful but worn down by life, radiates a weary defiance. Frozen River has scenes as tense as any Hollywood thriller, but so grounded in the fully developed characters of these two women t! hat the taut suspense grips the full spectrum of your emotions. This is an impressive debut by writer/director Courtney Hunt, featuring excellent supporting performances by Charlie McDermott (The Ten) as Ray's unhappy oldest son and Michael O'Keefe (The Great Santini) as a suspicious state trooper. --Bret Fetzer

Stills from Frozen River (click for larger image)

!

17-year-old Ree Dolly (Jennifer Lawrence) sets out to track down her father, who put their house up for his bail bond and then disappeared. If she fails, Ree and her family will be turned out into the Ozark woods. Challenging her outlaw kin’s code of silence and risking her life, Ree hacks through the lies, evasions and threats offered up by her relatives and begins to piece together the truth. Based on the novel by Daniel Woodrell, Winter's Bone is the winner of the 2010 Sundance Film Festival’s Grand Jury Prize.Family loyalty and self-reliance take on whole new meanings in this dark story of one family's desperate struggle to survive in the Ozark woods of! southern Missouri. Day-to-day life is tough in the economically depressed, unforgiving harsh rural landscape that's home to the extended Dolly clan, but it's made much tougher thanks to their history of cooking crank and deep involvement in the local drug culture. For Jessup Dolly and the other men of the family, looking out for oneself has become the first priority. Seventeen-year-old Ree (Jennifer Lawrence) has been caring for her mentally ill mother and her two younger siblings while her father runs from the law. Ree has been managing OK, but when the sheriff shows up with news that her father has put the house up as bond collateral and is unlikely to show for his court date, things get desperate. Ree is well aware of the family code of silence, but desperation forces her to confront her relatives in search of her father, regardless of the personal consequences. One by one, Ree's relatives refuse to help, protecting themselves even at the cost of one of their own. This ! is a dark, often violent film that doesn't shy away from the h! arsh rea lities of the manic drug culture permeating some rural areas of the South. It is intense, emotional, and extremely effective: it is at times simultaneously uncomfortable to watch and paradoxically riveting. Jennifer Lawrence, John Hawkes, and Dale Dickey deliver phenomenally powerful performances and are completely believable in their respective roles. While this official selection in the dramatic film competition at the 2010 Sundance Film Festival doesn't align well with many of the details in the Daniel Woodrell novel on which it's based, what is absolutely faithfully rendered is the overwhelming sense of resolute self-reliance, complete desperation, and intense, yet distorted family loyalty. --Tami HoriuchiHailed as "one of the year's most intriguing dramas" (Claudia Puig, USA TODAY), The Visitor stars Richard Jenkins (Six Feet Under) in a perfect performance (Lisa Schwarzbaum, ENTERTAINMENT WEEKLY) as Walter, a disaffected college professor who has been drifting a! imlessly through his life. When, in a chance encounter on a trip into New York, Walter discovers a couple has taken up residence in his apartment in the city, he develops an unexpected and profound connection to them that will change his life forever. As challenges arise for his tenants, Walter finds himself compelled to help his new friends, and rediscovers a passion he thought he had lost long ago. The year's first genuine must-see film" (Ann Hornaday, THE WASHINGTON POST) about rediscovering life's rhythms in the most unexpected places A deeply moving drama built around longtime character actor Richard Jenkins, The Visitor is a simmering drama about a college professor and recent widower, Walter Vale (Jenkins), who discovers a pair of homeless, illegal aliens living in his New York apartment. After the mix-up is resolved, Vale invites the couple--a young, Syrian musician named Tarek (Haaz Sleiman) and his Senegalese girlfriend (Danai Gurira--to stay with hi! m. An unlikely friendship develops between the retiring, quiet! Vale an d the vital Tarek, and the former begins to loosen up and respond to Tarek’s drumming lessons as if something in him waiting to be liberated has finally arrived. All goes well until Tarek is hauled in by immigration authorities and threatened with deportation. His mother, Mouna (Hiam Abbass), turns up and stays with Vale, sparking a renewed if subdued interest in courtship. But the wheels of injustice in immigration crush all manner of hopes in post-9/11 America. Vale soon realizes his unexpected capacity for anger over Tarek’s plight, and the positive changes to his personal life that emerged from a deep involvement with his friend and Mouna, might be the only legacy he takes from this experience. Writer-director Thomas McCarthy has created a wonderfully measured story about change and renewal, and put it all on the shoulders of Jenkins, a largely unheralded but masterful performer whose time for renown has surely come. --Tom Keogh

Stills from The Visitor (click for larger image)

Beyond The Visitor
On Blu-ray
Soundtrack CD
Also directed by Tom McCarthy

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The Invisible Bridge (Vintage Contemporaries)

• ISBN13: 9781400034376
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

On the rain-soaked morning of October 1, 2011, the couple hundred protesters camping out in a concrete park in Lower Manhattan and calling themselves Occupy Wall Street were a ragtag army of young revolutionary dreamers, whose declared war against corporate greed and appalling income inequality was mostly ignored by the media and struggling to get any traction with America’s battered middle class. By nightfall, the Occupy Wall Street movement had captured the national imagination â€" exploding onto the front page and sparking a wave of protest in all 50 states. This is the remarkable story of the tense few hours that changed everything: “October 1, 2011: The Battle of the Brooklyn Bridge.” In thi! s instant history, you’ll see the dramatic showdown between marchers and a wall of New York Police Department officers, resulting in 700 arrests, through the eyes of the everyday Americans who lived it â€" an idealistic and daring college radical, a salty-tongued retired Vietnam-era lawyer on a quest for social justice, the shy theatrical props manager taking part in his first protest, and many more. “October 1, 2011” goes behind the headlines to show a miscalculating NYPD struggling to protect the status quo, to reveal the improbable sparks touching off a new American revolution, and to relive the life-altering choices faced by average citizens trapped inside a police “kettle” as a damp darkness descended on the Brooklyn Bridge. But most importantly, it recasts the Occupy Wall Street movement as a struggle over something even more fundamental than economic injustice: A yearning by ignored and unheard Americans to simply reclaim the public square â€" the battle th! at came to a head on a Saturday afternoon high atop the most f! amous br idge in the world.
ABOUT THE AUTHOR
Will Bunch is senior writer for the Philadelphia Daily News â€" where he writes the popular political blog Attytood â€" and a senior fellow with Media Matters for America. He shared the 1992 Pulitzer Prize for spot news reporting in 1992 when he was at New York Newsday. His books include The Backlash: Right-Wing Radicals, High-Def Hucksters and Paranoid Politics in the Age of Obama, and Tear Down This Myth: The Right-Wing Distortion of the Reagan Legacy. His articles have also appeared in the New York Times Magazine, The Washington Post, Mother Jones, The Los Angeles Times, American Prospect, American Journalism Review, and elsewhere. He lives in the Philadelphia suburbs with his family.
On the rain-soaked morning of October 1, 2011, the couple hundred protesters camping out in a concrete park in Lower Manhattan and calling themselves Occupy Wall Street were a ragtag army of young revolutionary dreamers, whose declared war a! gainst corporate greed and appalling income inequality was mostly ignored by the media and struggling to get any traction with America’s battered middle class. By nightfall, the Occupy Wall Street movement had captured the national imagination â€" exploding onto the front page and sparking a wave of protest in all 50 states. This is the remarkable story of the tense few hours that changed everything: “October 1, 2011: The Battle of the Brooklyn Bridge.” In this instant history, you’ll see the dramatic showdown between marchers and a wall of New York Police Department officers, resulting in 700 arrests, through the eyes of the everyday Americans who lived it â€" an idealistic and daring college radical, a salty-tongued retired Vietnam-era lawyer on a quest for social justice, the shy theatrical props manager taking part in his first protest, and many more. “October 1, 2011” goes behind the headlines to show a miscalculating NYPD struggling to protect the status q! uo, to reveal the improbable sparks touching off a new America! n revolu tion, and to relive the life-altering choices faced by average citizens trapped inside a police “kettle” as a damp darkness descended on the Brooklyn Bridge. But most importantly, it recasts the Occupy Wall Street movement as a struggle over something even more fundamental than economic injustice: A yearning by ignored and unheard Americans to simply reclaim the public square â€" the battle that came to a head on a Saturday afternoon high atop the most famous bridge in the world.
ABOUT THE AUTHOR
Will Bunch is senior writer for the Philadelphia Daily News â€" where he writes the popular political blog Attytood â€" and a senior fellow with Media Matters for America. He shared the 1992 Pulitzer Prize for spot news reporting in 1992 when he was at New York Newsday. His books include The Backlash: Right-Wing Radicals, High-Def Hucksters and Paranoid Politics in the Age of Obama, and Tear Down This Myth: The Right-Wing Distortion of the Reagan Legacy. His articles have ! also appeared in the New York Times Magazine, The Washington Post, Mother Jones, The Los Angeles Times, American Prospect, American Journalism Review, and elsewhere. He lives in the Philadelphia suburbs with his family.

Paris, 1937. Andras Lévi, a Hungarian-Jewish architecture student, arrives from Budapest with a scholarship, a single suitcase, and a mysterious letter he promised to deliver. But when he falls into a complicated relationship with the letter's recipient, he becomes privy to a secret that will alter the course of hisâ€"and his family’sâ€"history.

From the small Hungarian town of Konyár to the grand opera houses of Budapest and Paris, from the despair of Carpathian winter to an unimaginable life in labor camps, The Invisible Bridge tells the story of a family shattered and remade in history’s darkest hour.

Amazon Best Books of the Month, May 2010: Even if this weren't her first novel, Julie Orringer's Invisible ! Bridge would be a marvelous achievement. Orringer possesses a ! rare tal ent that makes a 600-page story--which, we know, must descend into war and genocide--feel rivetingly readable, even at its grimmest. Building vivid worlds in effortless phrases, she immerses us in 1930s Budapest just as a young Hungarian Jew, Andras Lévi, departs for the École Spéciale d'Architecture in Paris. He hones his talent for design, works backstage in a theater, and allies with other Jewish students in defiance of rising Nazi influence. And then he meets Klara, a captivating Hungarian ballet instructor nine years his senior with a painful past and a willful teenage daughter. Against Klara's better judgment, love engulfs them, drowning out the rumblings of war for a time. But inevitably, Nazi aggression drives them back to Hungary, where life for the Jews goes from hardship to horror. As in Dr. Zhivago, these lovers can't escape history's merciless machinery, but love gives them the courage to endure. --Mari Malcolm

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Walk All Over Me

• A dangerously deviant ride that will leave you begging for more! Latex and larceny meet in this sexy thriller about Alberta (Leelee Sobieski, Eyes Wide Shut), a small-town screw-up who escapes to Canada only to move in with a beautiful but tough dominatrix. Secretly taking on her roommate's identity, Alberta gets caught between half a million stolen dollars and the brutal thugs who want it

If you've forgotten what it's like to be fifteen, it all comes crashing back in this wonderfully edge look at the relationship between a sensitive, vulnerable young girl named Claude and her beautiful, quick-witted best friend Ellen.This gritty 1997 film marks the merging of several budding talents: sisters Sylvia and Alex Sichel, who serve as writer and director, and actors Alison Folland (To Die For), Tara Subkoff, and Murmurs singer Leisha Hailey. The idea behind the movie was the Sichels' awe at! ever having survived being teenage girls in the big city.

All Over Me is about Claude (Folland) a shy, overweight teen who works in a pizza parlor after school and is secretly in love with her best friend Ellen (Subkoff). But Ellen is far ahead of Claude in development. She has an older boyfriend, and she harbors a bad case of destructive self-loathing that erupts frequently and with a fury. But All Over Me isn't just a teenage cautionary or coming-out tale. It's as much a story of New York and its unbearably long, hot summers as it is the downtown music scene or teenage dreams and struggles with adult issues. More than that, it's a well-made film that has its own rhythm, working slowly to give us insight into the girls' natures. It succeeds admirably in taking us back to that age when everything seemed possible despite the dangers of the city closing in. Growing up has never felt as close to home or as scarily realistic. --Paula NechakThis gritt! y 1997 film marks the merging of several budding talents: sist! ers Sylv ia and Alex Sichel, who serve as writer and director, and actors Alison Folland (To Die For), Tara Subkoff, and Murmurs singer Leisha Hailey. The idea behind the movie was the Sichels' awe at ever having survived being teenage girls in the big city.

All Over Me is about Claude (Folland) a shy, overweight teen who works in a pizza parlor after school and is secretly in love with her best friend Ellen (Subkoff). But Ellen is far ahead of Claude in development. She has an older boyfriend, and she harbors a bad case of destructive self-loathing that erupts frequently and with a fury. But All Over Me isn't just a teenage cautionary or coming-out tale. It's as much a story of New York and its unbearably long, hot summers as it is the downtown music scene or teenage dreams and struggles with adult issues. More than that, it's a well-made film that has its own rhythm, working slowly to give us insight into the girls' natures. It succeeds admirably in taki! ng us back to that age when everything seemed possible despite the dangers of the city closing in. Growing up has never felt as close to home or as scarily realistic. --Paula NechakLatex and larceny meet in this sexy thriller about Alberta (Leelee Sobieski, Eyes Wide Shut), a small-town screw-up who escapes to Canada only to move in with a beautiful but tough dominatrix. Secretly taking on her roommate s identity, Alberta gets caught between half a million stolen dollars and the brutal thugs who want it back.

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Bridesmaids What I Learned Women's Junior T-shirt XL

• Juniors Sizing
• Easy Care, Machine Wash.
• Licensed
• 100 % Cotton
• Preshrunk

Bridesmaids What I Learned As A Bridesmaid Jr Tee

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iLap Laptop Stand 15â W for MacBook Pro by Rain Design (10025)

• Keeps your laptop cool by using light weight aluminum as cool sink.
• Allows your laptop to run more efficiently and last longer
• Raises your laptop to keep your lap cool
• Padded with cushions for extra comfort
• Ergonomically designed to suit both lap and desk works, so you stay cool even on prolonged use

‘At a time when the poor of the world seem to be rising up, I found myself deeply moved and completely enthralled by this film.’ â€" Michael Moore

Costa and Sebastián arrive in Cochabamba, Bolivia, to shoot a period film about Columbus’s arrival in the Americas. Sebastián, the director, wants to upturn the entire conservative myth of Western Civilisation’s arrival in the Americas as a force for good. His story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those I! ndians who fought back. Costa, the producer, doesn’t care what happened yesterday never mind five centuries ago, he just wants to get the job done on time and within budget. The battle to get their film made intertwines with the fight of their Bolivian crew members, deprived of their most basic rights, prohibited from collecting even the rain.

As Sebastián and Costa struggle with their film, the violence in the community in which they shoot increases by the day until the entire city explodes into the now infamous Bolivian Water War of April 2000. Five hundred years after Columbus, sticks and stones confront the steel and gunpowder of a modern army. David against Goliath once again. Only this time they fight not about gold, but the simplest of life-giving elements: water.

Features full screenplay with extra scenes and introductions from Paul Laverty and Icíar Bollaín.

Winner, Audience Award, Berlin Film Festival 2011
Bridging Border! s Award, Palm Springs International Film Festival
Four Pr! ogressiv e Film Awards
Thirteen Goya Award Nominations
Spain’s Official Entry for the 2011 Academy Awards
‘At a time when the poor of the world seem to be rising up, I found myself deeply moved and completely enthralled by this film.’ â€" Michael Moore

Costa and Sebastián arrive in Cochabamba, Bolivia, to shoot a period film about Columbus’s arrival in the Americas. Sebastián, the director, wants to upturn the entire conservative myth of Western Civilisation’s arrival in the Americas as a force for good. His story is about what Columbus set in motion; the obsession with gold, the hunt for slaves by Spanish mastiffs, and punitive violence to those Indians who fought back. Costa, the producer, doesn’t care what happened yesterday never mind five centuries ago, he just wants to get the job done on time and within budget. The battle to get their film made intertwines with the fight of their Bolivian crew members, deprived of their most basic rights, pr! ohibited from collecting even the rain.

As Sebastián and Costa struggle with their film, the violence in the community in which they shoot increases by the day until the entire city explodes into the now infamous Bolivian Water War of April 2000. Five hundred years after Columbus, sticks and stones confront the steel and gunpowder of a modern army. David against Goliath once again. Only this time they fight not about gold, but the simplest of life-giving elements: water.

Features full screenplay with extra scenes and introductions from Paul Laverty and Icíar Bollaín.

Winner, Audience Award, Berlin Film Festival 2011
Bridging Borders Award, Palm Springs International Film Festival
Four Progressive Film Awards
Thirteen Goya Award Nominations
Spain’s Official Entry for the 2011 Academy Awards
Made of silver anodized aluminum alloy, the iLap notebook stand is specially designed to match the Apple Powerbook's elegant finish.Amazon.com Pro! duct Description iLap. Stay cool. Wherever.

The awa! rd-winni ng, patented iLap is a versatile stand that lets you use a laptop comfortably on your lap or on a desk. As a lap stand, the iLap keeps you cool by shielding your body from the laptop's heat, and it does so comfortably with its two velvet cushions. The front cushion supports your wrist while you type and the back swivel base contours to your lap.

Cool laptop, cool lap, and cool posture. Learn more.

The iLap's lightweight aluminum base acts as a heat sink to keep your laptop cool too, so it'll run more efficiently and last longer. As a desk stand, the iLap provides better ergonomics by raising the laptop screen higher to reduce neck and shoulder strains.

It also tilts the keyboard so you can type with your wrist straight to prevent carpal tu! nnel syndrome. An external keyboard is not required.

The iLap 15" W fits the Apple MacBook Pro 15" and Powerbook 15". The iLap comes in six other sizes to suit both Mac and PC notebooks. Awarded Laptop Magazine Editor's Choice for laptop stand.

Features include:

• Cooling: The iLap's aluminum material and design keeps your laptop cool by drawing heat away from the laptop and increasing cool air flow around it. The iLap also shield your body from the heat of the laptop, preventing discomfort and burns.
• Ergonomics:
  The iLap raises your screen to a more comfortable eye level, reducing neck and shoulder strain. The soft front cushion supports your hand and arm while the tilted angle of the keypad allows you to keep your wrist straight to prevent Carpel Tunnel Syndrome.
• Comfortable: The two velvet cushions makes the iLap very comfortable to use on your lap and is a feature not found on other laptop stands. The fro! nt cushion can be removed for desk use.
• Versatile: ! The iLap is designed to let you work comfortably on your lap and at your desk. An added convenience is the ability to type directly on your laptop's keypad so you don't have to use an external keyboard.

What's in the box
iLap laptop computer holder, detachable front cushion

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Definitely Maybe (Full Screen)

• Condition: New
• Format: DVD
• AC-3; Color; Dolby; Dubbed; DVD; Full Screen; Subtitled; NTSC

From the makers of Notting Hill and Love Actually comes the charming and irresistibly funny romantic comedy Definitely, Maybe. When Will (Ryan Reynolds) decides to tell his daughter (Abigail Breslin) the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future. Co-starring Elizabeth Banks, Rachel Weisz and Isla Fisher, it's the heartwarming story that makes you realize it's definitely never too late to go back…and maybe find a happy ending.A romantic comedy that begins with a discussion about sex education and ends with a bit of an unexpected twist, Definitely, Maybe focuses on an engaging father and his 10-year-old daughter. She is curious about the women her dad loved prior to marrying (and separating from) her! mother. Instead of telling her, "None of your business," he decides to tell her about them... Sort of. Will is played by Ryan Reynolds and his precocious daughter Maya is adroitly portrayed by Abigail Breslin (Little Miss Sunshine). Will figures out a way to tell Maya about his most meaningful relationships in a PG manner that also is interactive for her (Or as she describes it, "a love story mystery!"). Changing a few of their characteristics and disguising their names, Will tells her about three exceptional women and Maya tries to deduce which one became her mom. Was it Emily (Elizabeth Banks), the wholesome Midwestern girl afraid of the big city; Summer (Rachel Weisz), the exotic journalist; or April (Isla Fisher), the rebel with a cause? Hearing about all these women, Maya asks, "What's the boy word for slut?" Spanning 15 years, back to when Will was an idealistic young man with the hopes of one day becoming president of the United States, the film has a nice li! ght touch and deals with father-daughter bonding issues in a u! nique, i f not completely realistic manner. Reynolds is a genial but bland leading man, but the women--including young Breslin--more than hold their own in this fun film. --Jae-Ha Kim

Get to Know the Girlfriends From Definitely, Maybe

Elizabeth Banks (Emily)

Isla Fisher (April)

Rachel Weisz (Summer)

Beyond Definitely, Maybe on DVD

More From Ryan Reynolds

Father Daughter Essentials

More Romantic Comedies

Stills from Definitely, Maybe (Click for larger image)

From the maker! s of Notting Hill and Love Actually comes the charming and irresistibly funny romantic comedy Definitely, Maybe. When Will (Ryan Reynolds) decides to tell his daughter (Abigail Breslin) the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future. Co-starring Elizabeth Banks, Rachel Weisz and Isla Fisher, it's the heartwarming story that makes you realize it's definitely never too late to go back…and maybe find a happy ending.A romantic comedy that begins with a discussion about sex education and ends with a bit of an unexpected twist, Definitely, Maybe focuses on an engaging father and his 10-year-old daughter. She is curious about the women her dad loved prior to marrying (and separating from) her mother. Instead of telling her, "None of your business," he decides to tell her about them... Sort of. Will is played by Ryan Reynolds and his precocious daughter Maya is adroitly portrayed by Abigail ! Breslin (Little Miss Sunshine). Will figures out a way ! to tell Maya about his most meaningful relationships in a PG manner that also is interactive for her (Or as she describes it, "a love story mystery!"). Changing a few of their characteristics and disguising their names, Will tells her about three exceptional women and Maya tries to deduce which one became her mom. Was it Emily (Elizabeth Banks), the wholesome Midwestern girl afraid of the big city; Summer (Rachel Weisz), the exotic journalist; or April (Isla Fisher), the rebel with a cause? Hearing about all these women, Maya asks, "What's the boy word for slut?" Spanning 15 years, back to when Will was an idealistic young man with the hopes of one day becoming president of the United States, the film has a nice light touch and deals with father-daughter bonding issues in a unique, if not completely realistic manner. Reynolds is a genial but bland leading man, but the women--including young Breslin--more than hold their own in this fun film. --Jae-Ha Kim

Get to Know the Girlfriends From Definitely, Maybe

Elizabeth Banks (Emily)

Isla Fisher (April)

Rachel Weisz (Summer)

Beyond Definitely, Maybe on DVD

More From Ryan Reynolds

Father Daughter Essentials

More Romantic Comedies

Stills from Definitely, Maybe (Click for larger image)

Read more »