Tuesday, November 29, 2011

Chloe New for Women. Eau De Parfum Spray 2.5-Ounces

  • Packaging for this product may vary from that shown in the image above
  • This item is not for sale in Catalina Island
Capturing the spirit of women, the Chloe vision is not about one singular woman, but rather about the rich and varied personalities of all Chloe women. This fresh, smooth floral fragrance evokes sublime powdery rose. The effect is chic, comfortable, and entirely addictive.Top notes of pink peony, freesia, and lychee embody subtle freshness. At the heart, midnotes of magnolia flower, lily of the valley, and rose rise to sublimated femininity. A base of velvety elegance comes to fruition through cedarwood, amber, and honey.Inspired by the details in Chloe's fashion, the flacon's heavy but softly curved and grooved glass reflects femininity and strength. The plated-silver top is embossed with the Chloe mark and adorned with a hand-tied ribbon.Notes:Pink Peony, Freesia, Lych! ee, Magnolia Flower, Lilly of the Valley, Rose, Cedarwood, Amber, Honey.

Eros Platinum Super Concentrated Bodyglide, Latex Condom Safe, 250 ml

  • Platinum Grade Liquid Silicone
  • Super Concentrated
  • Leaves Skin Feeling Silky
  • Dermatological tested
  • Latex Condom Safe
Eros Platinum Super Concentrated Bodyglide 250ml bottle is a silicone based medical grade lubricant for use with latex condoms. Its super concentrated formula uses the finest Platinum Grade Liquid Silicone that improves lubrication for a more pleasurable, long lasting experience during sexual intercourse. This lubricant has a high yield moisturizing effect that will leave your skin feeling silky and sensual. Dermatological tested for skin and mucous membrane tolerance, oil and fat free, colorless and odorless and is neutral tasting. Use as much and often as you need on the body parts where you require additional moisture. A great choice for couples who wants the best! Note: not a contraceptive, store at room temperature.

The Alphabet Killer

  • A ten year old girl is found brutally murdered outside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan s return to the investigation also brings back her own horrific hallucination
Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothi! ng to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release o! f a fictionalised motion picture loosely based on the murders.! This fa ctual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.Between 1971 and 1973, three young girls, ages ten to eleven, were found sexually assaulted and slain near Rochester, New York. The girls all had double initials for their first and last names and were found dead in suburbs with names in which the first letter co-ordinated with the girls' initials. Two prime suspects later committed suicide. A third suspect, Kenneth Bianchi, went to California where he went on to become one of the infamous Hillside Stranglers, but to this day he insists he had nothing to do with the so-called Double Initial, or Alphabet, murders. The crimes remain unsolved, but interest in the case was re-energised with the release of a fictionalised motion picture loosely based on the murders. This factual account, the first book fully devoted to the case, explores the crime and the ongoing investigation.A ten year old girl is found brutally murdered ou! tside the small blue-collar city of Rochester, New York, and obsessed police detective Megan Paige (Eliza Dushku of BUFFY THE VAMPIRE SLAYER and DOLLHOUSE) suffers a mental breakdown while trying to solve the crime. But when the child-killings resume two years later, Megan’s return to the investigation also brings back her own horrific hallucinations.  Even if she can prove a ‘double initial’ connection to the slayings, will she hang onto her sanity long enough to catch a psychopath? Cary Elwes (SAW), Michael Ironside (STARSHIP TROOPERS), Bill Moseley (THE DEVIL’S REJECTS), Carl Lumbly (ALIAS) and Academy Award® winner Timothy Hutton co-star in this chilling thriller directed by Rob Schmidt.In the spirit of suspense films and television shows that focus on the sleuth’s attempt to make something out of senseless violence, Alphabet Killer is less about the murders it details than about the detective,! Megan Paige (Eliza Dushku of Buffy the Vampire Slayer), who suffers mentally for studying brutality. Though opening scenes show young girls slayed at various wooded Rochester, New York crime scenes, the film quickly digresses into Megan’s stressed relationship with her co-detective lover, Kenneth Shine (Cary Elwes), who watches her obsession with the case spiral out of control. As murders continue, Megan gets psychic leads and is haunted by the ghosts of the wrongly deceased, but cannot solve the case. Megan’s diagnosis as a schizophrenic complicates matters greatly, and elevates the film into deeper story, especially when one senses, through subtle filmic clues, the creepiness of Megan’s therapist, Richard Ledge (Timothy Hutton). Some silly, dramatized enactments of mental illness on Dushku’s part do not help convince the viewer through fine acting, though one may be willing to look past this in hopes for pending potential spookiness. And the conundrum posed by Megan in her therapy group is engaging: manic peop! le do often excel due to intuition, yet it is their ability to experience the world differently that gets them into trouble. Although the ghosts hallucinations are unconvincing, and Dushku probably could have used more research before she took the role, Alphabet Killer captivates because it shows how convoluted layers of reality can confuse even the sharpest detective. The disturbing thing about Alphabet Killer is not the film itself but the idea behind it: that the majority of what we know and trust is illusory, and that truth is discovered best through madness. --Trinie Dalton

Stills from The Alphabet Killer (Click for larger image)



Webkinz Plush Stuffed Animal Grey Owl

  • Full Sized Webkinz
  • Comes with a secret code that lets you enter Webkinz World
Richard Attenborough's passion weighs so heavily on every frame of Grey Owl, the true story of a pioneering conservationist in the Canadian wilderness, that it tends to smother the characters. Pierce Brosnan is stiff, deliberate and terse as Archie Grey Owl, a part Scotch Native American adopted and raised by a Canadian Ojibwa tribe. He gets by as a trapper, hunting guide, and sometime writer, but becomes an internationally revered activist in the 1930s when he publishes a book on the vanishing wilderness. Annie Galipeau is the native Canadian woman who sees through his tough hide and secretive quiet: "Yeah, I know. You're a loner. You have to live in the wilderness. I hear it everyday." But she doesn't pierce his most zealously guarded secret, a distracting subplot that most of the audience figures! out in no time. Attenborough's hushed reverence for Archie's dream slows an already lugubrious drama, and Brosnan all too often comes off as a walking cliché, his flat speech and long, slow stares a Brit's idea of a movie Indian. The real star of the film is the magnificent Canadian wilderness: carpets of forests, clear crystal lakes, and vast blue skies. There's no doubting Attenborough's good intentions, and his love for the wilderness is felt in every gorgeous frame, but somewhere in the forest he loses track of his story. --Sean Axmaker

First published in 1935, Pilgrims of the Wild is Grey Owl's autobiographical account of his transition from successful trapper to preservationist. With his Iroquois wife, Anahereo, Grey Owl set out to protect the environment and the endangered beaver. Powerful in its simplicity, Pilgrims of the Wild tells the story of Grey Owl's life of happy cohabitation with the wild creatures of nature and the healing po! wers of what he referred to as "the great Northland" of "Over ! the Hill s and Far Away."

A bestseller at the time, Pilgrims of the Wild helped establish Grey Owl's international reputation as a conservationist. His legacy of warnings against the degradations of nature and the dangers of industry live on, despite the posthumous revelation that he wasn't, in fact, the First Nations man he claimed to be.

From the director of GANDHI and the executive producer of DANCES WITH WOLVES and A RIVER RUNS THROUGH IT comes the remarkable true story of a 1930s frontier trapper who adopted the ways of the wild and found love among its people. After discovering a world slowly threatened by extinction in the woods of the great north, one man’s passion led him to fight for the protection of the land he loved. Pierce Brosnan stars as Archie Grey Owl in this epic adventure about a man who had the courage to defend and lead his people in war and victory and the strength to become their voice to the world.An Englishman with the imagination and! the arrogance to pose as a North American Indian, a fur trapper who kept beaver as pets, a drunken brawling bigamist who embraced the wilderness to escape his ghosts, a compelling champion of that wilderness who travelled much of the world speaking to huge audiences about the fate of the natural world - who was the real Archie Belaney, known to many as Grey Owl? Grey Owl, the Mystery of Archie Belaney is a unique, accessible collection of narrative poetry and journal entries which examines this dynamic, often contradictory, always fascinating man who reconstructed his identity and delivered a message of conservation to the world.Grey Owl Webkinz by Ganz HM344

Buffalo Soldiers

  • This Turner Network Televison movie tells the true story of the black calvary corps known as the 'Buffalo Soldiers.' These troops patrolled America's wild west after the civil war. In addition to keeping the peace, they fought the racism of their commanders and other white corps soldiers.Running Time: 94 min. Format: DVD MOVIE Genre: DRAMA Rating: G Age: 053939747027 UPC:
This Turner Network Televison movie tells the true story of the black calvary corps known as the 'Buffalo Soldiers.' These troops patrolled America's wild west after the civil war. In addition to keeping the peace, they fought the racism of their commanders and other white corps soldiers.

The Great Debaters

  • Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr
An inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in th! e Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked sing! le mother (Angela Bassett) is slowly recovering from a devasta! ting per sonal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonAn inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in th! e Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked sing! le mother (Angela Bassett) is slowly recovering from a devasta! ting per sonal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonDVDSpellbound is the extraordinary documentary that follows eight teenagers on their quest to win the National Spelling Bee competition.Who would have thought that a documentary about spelling-bee contestants could be as suspenseful as a Hitchcock thriller? Spellbound, which follows eight kids from their early victories in regional spelling bees to the national competition in Washington, D.C., is an out-and-out nail-biter. Each of the kids--who range from a quietly driven African American girl from a r! un-down D.C. neighborhood, to a genial Connecticut girl who talks about bringing her au pair to a previous competition, to an almost zombie-like boy whose immigrant father has paid 1,000 people back in India to pray for the boy's success--gets captured so vividly that you can't help but get emotionally immersed in their brave, nerve-wracking struggle to spell slippery, treacherous words. Along the way, Spellbound contrasts the crazily different populations that make up the U.S. and shows how this facet of intelligence truly makes everyone equal on the podium. A riveting, wrenching, must-see movie. --Bret FetzerA young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school. Though the "inspirational teacher" theme may feel done to death, Freedom Writers succeeds because it emphasizes the students as much as the teacher. Erin Gruwell (Hilary Swank, Million Dollar Baby,! Boys Don't Cry) comes to a southern California high ! school b ubbling over with naive optimism, but quickly discovers that her unruly classroom isn't easily won over by her good intentions. After a few floundering attempts to connect with her students, Gruwell gives them the assignment of keeping journals about their own lives--an assignment that the class bites into with relish, which eventually bonds them together and pushes racial rivalries aside. This plotline has been made before, sometimes well, sometimes poorly; Freedom Writers, by drawing heavily from the published journals of the students--and thanks to a (mostly) unheroic script, direction that emphasizes individual characters over stereotypes, and rigorous performances from the whole cast--makes the story seem fresh and genuine. Swank does solid work, but the standouts are April L. Hernandez as a girl whose gang wants her to lie and send an innocent boy to jail and Imelda Staunton (Vera Drake) as a teacher who resents Gruwell's offbeat success. Also featuri! ng Patrick Dempsey (Grey's Anatomy), Scott Glenn (The Right Stuff), and a plethora of strong young actors. --Bret Fetzer

Two-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but politically radical debate team coach who uses the power of words to transform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I! 'm Not There, Hunting PartyInspired by real events, the fascin! ating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed The Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learn! ing to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about unionizing together. Forest Whitaker is outstanding as Farmer’s emotionally-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh

Alabama Crimson Tide Gold & Silver Tone Cufflinks

  • Officially licensed NCAA product
Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurio! us life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview with director Jafar PanahiTwo master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is u! nleashed. Panahi brings his feel for and vision of the expansi! ve ordin ary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom KeoghAward-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will t! aste the luxurious life for one night before his deep feelings of humiliation push him over the edge. DVD extras include: 5.1, trailer, subtitle control, weblinks, Interview with director Jafar PanahiTwo master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, somethin! g desperate is unleashed. Panahi brings his feel for and visio! n of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom KeoghAward-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Kiarostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. Bu! t Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cortisone (for war-induced pain) and reduced to delivering pizzas at night. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive or! dinary, for the near-invisible forces churning within characte! rs in se emingly throwaway circumstances. A haunting film. --Tom Keogh
She wanted out.

She wanted a new life.

She wanted a trophy worthy of a master thief.

She wanted to find the source of the treasured crimson gold.

She wanted to face an undead emperor on his home ground and live to tell the tale.

Careful what you wish for.

The Crimson Gold is the third title in this ongoing Forgotten Realms series focusing specifically on the shadowed life of the iconic character class of the rogue. Each novel in the series is a stand-alone adventure, allowing readers an easy entry point into the Forgotten Realms world.
Award-winning filmmaker Jafar Panahi's (The White Balloon, The Circle) latest triumph is an intimate and absorbing drama about the ways in which the hypocrisies and slights of daily life can push otherwise reasonable people over the edge. Based on true events and written by acclaimed director Abbas Ki! arostami (A Taste of Cherry), CRIMSON GOLD is the story of Hussein, a humble pizza deliveryman who feels continually humiliated by the injustices he sees all around him. When his friend Ali finds a receipt for a stranger's necklace purchase, Hussein is stunned by its exceptionally high cost. He knows that his pitiful salary will never be enough to afford such a luxury. Soon after, he and Ali are refused entry to an uptown jewelry store because of their scruffy appearances; his rage over this slight sets off a series of events. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.Two master filmmakers, Abba Kiarostami (A Taste of Cherry) and Jafar Panahi (The Circle), team up as writer and director, respectively (as they did on 1996's The White Balloon), on Crimson Gold, a subtle tragedy about class conflict in Iran. Hussein (Hossain Emadeddin) is a lumbering veteran swollen by cor! tisone (for war-induced pain) and reduced to delivering pizzas! at nigh t. (He is frequently lost in a mental semi-fog during the days.) Witness to the rewards and vanities of the wealthy, insulted when a jewelry shop owner won't allow him in his store, and under pressure to get married, Hussein awkwardly aspires for higher ground but is more familiar with a life of marginal importance. When an eccentric socialite gives him a taste of luxury, something desperate is unleashed. Panahi brings his feel for and vision of the expansive ordinary, for the near-invisible forces churning within characters in seemingly throwaway circumstances. A haunting film. --Tom Keogh

The '25, '61, '78, '79, and '92 national championships, the first game under Coach Paul "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and fervor that fans have come to love as they listen to football on the! radio.

Featured are legendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

The '25, '61, '78, '79, and '92 national championships, the first game under Coach Paul "Bear" Bryant, the Alabama-Tennessee rivalry, the Alabama-Auburn rivalry, and twelve more power-packed memorable moments make up the legend of Alabama Football. Eli Gold brings these memories to life with the same clarity and fervor that fans have come to love ! as they listen to football on the radio.

Featured are le! gendary Alabama players and coaches including Joe Namath, Johnny Musso, Kenny Stabler, Gene Stallings, Harry Gilmer, Don Hutson, and other names that are still part of everyday conversation in Alabama, regardless of when they attended the university. So much of what was great at Alabama is because of the leadership and influence of Bear Bryant, and his story is told as well as his part in the story of every one of these important moments.

Set roughly in chronological order with photographs throughout, Crimson Nation is a journey back through time that every true Alabama fan must own.

Finish your look with this set of classy team logo cufflinks and tie clip! Cufflinks are 3/4" and tie clip is 2 1/4" in length.

  • Officially licensed NCAA product

Calvin Klein Women's Belted Sheath Dress, Black, 2

  • Sleeveless
  • Belted
Belted sheath dress

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