Away From Her : Widescreen Edition

• Widescreen

Married for almost 50 years, Grant's (Gordon Pinsent) and Fiona's (Julie Christie) commitment to each other appears unwavering. Their daily life is filled with tenderness and humor; yet this serenity is broken by Fiona's increasingly evident memory loss - and her restrained references to a past betrayal. For a while, the couple is able to casually dismiss these unwelcome changes. But when neither Fiona nor her husband can deny any longer that she is being consumed by Alzheimer's disease, the couple is forced to wrenchingly redefine the limits of their love and loyalty - and face the complex, inevitable transition from lovers to strangers."I'm going," says a lovely, understated Julie Christie, in a heart-wrenching moment of recognition that Alzheimer's is slowly descending on her. "But I'm not gone." Away from Her, the directorial debut of young Canadian actress Sarah Polle! y, allows two themes--the growth of love, and the limits of the mind--to intertwine, uplift, fall, and rise again, throughout its arc. What should be relentlessly depressing is instead a film of great courage, humor, defiance--and a quality that Christie's character, Fiona, calls out in another defining moment: grace.

Away from Her chronicles a love story between Fiona and her longtime husband, Grant, played with bearlike stolidity by Gordon Pinsett, as the couple struggle with the onset and acceleration of Fiona's Alzheimer's disease. Moments of lucidity and wry observation pepper Fiona's decline, and Christie gives an unforgettable performance as a woman who is both ordinary and singular to those whom she's touched. The story is set against a frigid Canadian winter, with fields of snow as a background underscoring the bleakness of Fiona's diagnosis; yet life is constant and surprising, in the call of a meadowlark or the resurrected memory of a skunk lily. A sc! ene of Fiona out for her daily cross-country ski shows Christi! e's gorg eous, sensual face in closeup against the snow, framed by a babushka, reminding the viewer of a similar scene of the decades-younger Christie in Dr. Zhivago. It's impossible not to be touched by the gifts of this extraordinary actress, through the life of this everywoman, whose very presence is shot through with grace. --A.T Hurleydvd

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Estwing E24A Sportsman's Hatchet Metal Handle

• All steel construction
• Head and handle forged in one-piece
• Fully polished with genuine leather grip and sheath
• 16-Inch overall length
• 3-1/4-Inch cutting edge

Since it was first published in 1987, the story of thirteen-year-old Brian Robeson's survival following a plane crash has become a modern classic. Stranded in the desolate wilderness, Brian uses his instincts and his hatchet to stay alive for fifty-four harrowing days.

This twentieth-anniversary edition of Hatchet contains a new introduction and sidebar commentary by Gary Paulsen, written especially for this volume. Drew Willis's detailed pen-and-ink illustrations complement the descriptions in the text and add a new dimension to the book. This handsome edition of the Newbery Honor book will be treasured by Hatchet fans as well as by readers encountering Brian's unforgettable story for t! he first time.All steel construction. 3 1 4'' cutting edge. Head and handle forged in 1 piece. Fully polished with genuine leather grip and sheath. Overall length: 14''.

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Kikkerland CD06 Grenade Screwdriver Set

• Hand Grenade Screwdriver Set
• Tool set inside grenade includes driver, small, medium, and large Phillips and flathead-style bits
• A creative and unique spin on your regular screwdriver set
• 7 Piece set is secretly hidden inside the compact grenade
• Tips are held in by a strong magnet- easy to use and hold

Get ready for "the mother of all comedy events" (Pat Collins, WWOR-TV/New York) as Robin Williams and Billy Crystal play a flaky writer and an uptight lawer teaming up to track down a runaway teen each thinks might be his son. Year: 1997 Director: Ivan Reitman Starring: Robin Williams, Billy Crystal, Julia Louis-DreyfusBilly Crystal plays the straight man to neurotic Robin Williams when these two very different individuals join forces to find a runaway teenager. Both, you see, have been told they are the boy's father by Nastassja Kinski, with whom each had once be! en involved. This Disney production is based on the more humorous French farce, Les Compères, by Francis Veber (who cowrote this adaptation). It has its moments as breezy entertainment, but the plot is sloppy enough to seem more like slapstick than sophisticated comedy. The gags are contrived, and it fails to unfold with believability, or grace. More interesting than the writing are the performances, as Crystal brings surprising depth to his cynical lawyer and Williams is exceptionally fine-tuned as a suicidal and dippy writer with a very kind heart. --Rochelle O'Gorman

"I'm taking you out for Father's Day," Susie tells Dad. "First we'll go for lunch." "Good," Dad says. "May I drive?" "Certainly," Susie says. She chooses the restaurant, and pretty soon Dad can see that she's filled this special day with treats--treats for both of them! When they get back home, Mom's final surprise (that isn't really a surprise at all) is a perfect ending for the perfec! t day.

CD06 Features: -6 piece set. -Materials: stainle! ss steel , PP. -Overall Dimensions: 4'' H x 2'' Dia.

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Rome Total War: Barbarian Invasion Expansion Pack

• Defend Roman Empire from invading barbarians; set in 363 A.D.
• Expansion pack to the award-winning Rome: Total War game
• Experience brand-new generals, maps, battle conditions, and more
• 10 new playable factions, each with strategic options and exclusive army units
• For 1 player

 

This richly detailed chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

 

In this highly readable and authoritative book, author Thomas J. Craughwell dr! aws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

The classic study of how the Roman Empire gradually succumbed to barbarian encroachment.

In print for more than thirty years, this book has long served as a standard text on the Germanic penetration of the Roman Empire. Bury's history is indispensable to anyone who seeks to understand the connection between the barbarian migrations of the third to the ninth century and the framework of modern Europe.

 

This richly detailed chronicle brin! gs to li fe the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

 

This richly detailed! chronicle brings to life the personalities of Attila the Hun, Alaric the Goth, Genghis Khan, and many other barbarian kings and chieftains whose rampages across Europe, Asia, and North Africa changed the course of history.

In this highly readable and authoritative book, author Thomas J. Craughwell draws upon the latest historical and archaeological research to reveal the impact of the barbarian invasions on the modern world: from the establishment of the English language, to the foundation of world capitals such as Dublin, to the introduction of gunpowder to Europe. Illustrated with more than 100 archival images gathered from around the world.

 

This digital document is an article from Queen's Quarterly, published by Queen's Quarterly on March 22, 2004. The length of the article is 3009 words. The page l! ength shown above is based on a typical 300-word page. The art! icle is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Corporate Invasions, Barbarian Invasions.
Author: Maurice Yacowar
Publication: Queen's Quarterly (Refereed)
Date: March 22, 2004
Publisher: Queen's Quarterly
Volume: 111 Issue: 1 Page: 87(10)

Distributed by Thomson GaleRewrite history


* Unit guide explains how to create and train units, with stats and special abilities for every unit
* Special units, campaign victory conditions, and map descriptions for all 10 new campaigns
* Details on Horde armies and units, recruiting Mercenaries, and Horde battle strategies
* How to use religion to affect your settlements
* Stats on special items, from ! Ancillaries to Relics
* All non-playing factions covered in the Unit Guide
* Tech trees for every building that cover units trained, cost, construction time, and effects on the game
* Night and stealth battle tacticsThis series of lectures by J.B. Bury, one of the great figures in the study of Late Antiquity, forms a concise and readable account of the last centuries of the western Roman empire, from the first stirrings of the Goths north of the Danube to the settlement of the Lombards in Italy in the sixth century.

From the preface: "The main results of [Bury's] highly specialised research and wide reading he embodied in various courses of lectures delivered from time to time before the University. In particular, beginning in the Michaelmas term of his second professorial year, he treated periodically of 'The Invasion of Europe by the Barbarians', covering roughly the two centuries of transition from Roman to Mediaeval Europe, A.D. 375-575. These lectur! es...present in vivid and memorable form the principal conclus! ions of much recondite research and mature thought. As summaries of Professor Bury's opinions on a number of long-debated problems they are of great interest and enduring value. What Professor Bury has to say, for instance, on the relative importance of the battles of Chalons (451) and Nedao (454) will be fresh to many readers, and full of illumination for all. His constant insistence, too, on the gradual and imperceptible encroachment of Barbarism upon Romanism during the two centuries under review is, in the highest degree, impressive and convincing."

The Kindle edition has been prepared with careful attention to the original typography and is fully navigable.
This series of lectures by J.B. Bury, one of the great figures in the study of Late Antiquity, forms a concise and readable account of the last centuries of the western Roman empire, from the first stirrings of the Goths north of the Danube to the settlement of the Lombards in Italy in the sixth century.
From the preface: "The main results of [Bury's] highly specialised research and wide reading he embodied in various courses of lectures delivered from time to time before the University. In particular, beginning in the Michaelmas term of his second professorial year, he treated periodically of 'The Invasion of Europe by the Barbarians', covering roughly the two centuries of transition from Roman to Mediaeval Europe, A.D. 375-575. These lectures...present in vivid and memorable form the principal conclusions of much recondite research and mature thought. As summaries of Professor Bury's opinions on a number of long-debated problems they are of great interest and enduring value. What Professor Bury has to say, for instance, on the relative importance of the battles of Chalons (451) and Nedao (454) will be fresh to many readers, and full of illumination for all. His constant insistence, too, on the gradual and imperceptible encroachment of Barbarism upon Romanism during the! two centuries under review is, in the highest degree, impress! ive and convincing."

The Kindle edition has been prepared with careful attention to the original typography and is fully navigable.
You arrived you saw you conquered....you're notfinished yet!Product Information[Requires Rome: Total War to play]With this official expansion pack to the award-winning Rome: Total War the action takes place 350 years later when the Roman Empire is beset by enemies inside and out. The year is 363 A.D. and the Roman Empire has split into two parts ruled from the cities of Rome and Constantinople. Barbarian tribes are massing on the Imperial frontiers and there are many many challenges for a Roman to face - and some may be almost unbeatable!A seemingly unstoppable tide of barbarian invaders is massing on the borders of a fractured Roman Empire. Choose to take control of the barbarian hordes and tear apart the world's mightiest ancient empire or take command of massed Roman legions and change the course of history forever! Barbarian Invasion is t! he new expansion to the million-selling multi-award-winning PC strategy game Rome: Total War. Set in a time 200 years after the main campaign of Rome: Total War Barbarian Invasion presents an entirely redrawn campaign map reflecting two centuries of change and turmoil across the Roman Empire. Ten new playable factions have entered the fray - all with new buildings units and technologies to exploit. The threats to Rome are as brutal as they are varied - from Sassanid war elephants and lethal Frank axe throwers to ferocious Hun riders.The epic war to decide the fate of the world's grandest empire is now yours to control! Product FeaturesCommand vast armies to decide the fate of the Roman Empire in the massive expansion to worldwide smash hit Rome: Total War.  Redesigned campaign map reflects 200 years of change and turmoil. Updated gameplay features the hordes character loyalty and Roman civil wars. Barbarians can also relocate! to a new homeland after losing their last settlement as a ! mass migration of

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Harry Potter and the Prisoner of Azkaban

• ISBN13: 9780439136365
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

In Harry Potter and the Prisoner of Azkaban, Harry, Ron and Hermione, now teenagers, return for their third year at Hogwarts, where they are forced to face escaped prisoner, Sirius Black, who poses a great threat to Harry. Harry and his friends spend their third year learning how to handle a half-horse half-eagle Hippogriff, repel shape-shifting Boggarts and master the art of Divination. They also visit the wizarding village of Hogsmeade and the Shrieking Shack, which is considered the most haunted building in Britain. In addition to these new experiences, Harry must overcome the threats of the soul-sucking Dementors, outsmart a dangerous werewolf and! finally deal with the truth about Sirius Black and his relationship to Harry and his parents. With his best friends, Harry masters advanced magic, crosses the barriers of time and changes the course of more than one life. Directed by Alfonso Cuaron and based on J.K. Rowling 's third book, this wondrous spellbinder soars with laughs, and the kind of breathless surprise only found in a Harry Potter adventure.

DVD Features:
3D Animated Menus
Challenges:Three great interactive challenges! Test your memory with "Magic You May Have Missed", help Crookshanks "Catch Scabbers", and go on an unexpected quest with Sir Cadogan.
DVD ROM Features:Wizard Trading Cards.Hogwarts Timeline.
Deleted Scenes:A selection of mystifying exclusive never-before-seen footage
Featurette:Conjuring a Scene - an in-depth look at the making of key scenes from the filmMeet the animal trainers from the movie in Care of Magical Creatures.
Int! erviews:Raucous interviews with the cast lead by Johnny Va! ughan an d the Shrunken HeadCreating the Vision - a revealing interview with J.K. Rowling and the filmmakers.
Other:Self-guided iPIX tours into Honeydukes and Professor Lupin's Defense Against the Dark Arts classroom. Choir Practice - sing-along with the Hogwarts choir.Hogwarts Portrait Gallery - get a closer look at the various portraits lining the walls of Hogwarts castle. Electronic Arts game preview.
Theatrical Trailer:Harry Potter 1, Harry Potter 2, Harry Potter 3

Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Bl! ack (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boun! dless imagination (loyally adapted by ace screenwriter Steve K! loves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff ShannonFor twelve long years, the dread fortress of Azkaban held an infamous prisoner named Sirius Black. Convicted of killing thirteen people with a single curse, he was said to be the heir apparent to the Dark Lord, Voldemort.

Now he has escaped, leaving only two clues as to where he might be headed: Harry Potter's defeat of You-Know-Who was Black's downfall as well. And the Azkban guards heard Black muttering in his sleep, "He's at Hogwarts...he's at Hogwarts."

Harry Potter isn't safe, not even within the walls of his magical school, surrounded by his friends. Because on top of it all, there may well be a traitor in their midst.For most children, summer vacation is something to look forward to. But not for our 13-year-old hero, who's forced to spend his summers with an aunt, uncle, and cousin who detest him. The third book in J.K. Rowling's Harry Potter ser! ies catapults into action when the young wizard "accidentally" causes the Dursleys' dreadful visitor Aunt Marge to inflate like a monstrous balloon and drift up to the ceiling. Fearing punishment from Aunt Petunia and Uncle Vernon (and from officials at Hogwarts School of Witchcraft and Wizardry who strictly forbid students to cast spells in the nonmagic world of Muggles), Harry lunges out into the darkness with his heavy trunk and his owl Hedwig.

As it turns out, Harry isn't punished at all for his errant wizardry. Instead he is mysteriously rescued from his Muggle neighborhood and whisked off in a triple-decker, violently purple bus to spend the remaining weeks of summer in a friendly inn called the Leaky Cauldron. What Harry has to face as he begins his third year at Hogwarts explains why the officials let him off easily. It seems that Sirius Black--an escaped convict from the prison of Azkaban--is on the loose. Not only that, but he's after Harry P! otter. But why? And why do the Dementors, the guards hired to! protect him, chill Harry's very heart when others are unaffected? Once again, Rowling has created a mystery that will have children and adults cheering, not to mention standing in line for her next book. Fortunately, there are four more in the works. (Ages 9 and older) --Karin Snelson

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Carter's Garden Party 3 Piece Canvas Wall Art , Lilac, 12 X 12"

• Each frame measures 12" x 12" x 1.5"
• Adult installation is easy with the included saw tooth hanger
• Canvas stretched over a wooden frame is lightweight and easy to mount on the wall
• Wall art is the perfect finishing touch for your nursery decor

GARDEN PARTY - DVD MovieIntermingling lives in modern Los Angeles: a musician-drifter (Erik Smith) without a place to crash, a runaway teen (Willa Holland) making bank by posing for Internet cheesecake, a gay Nebraskan (Alexander Cendese) trying to make friends, a real-estate agent (Vinessa Shaw) with a pot-pushing habit... these and others are the satellites circling the general sense of decadence in Jason Freeland's low-key comedy-drama. The film carries a vague echo of Alan Rudolph's Welcome to L.A. in its jaundiced view of the city of angels, but on a much less sophisticated level; the storytelling could use a blood tr! ansfusion, and the young characters are stamped from a cookie-cutter. Individual actors try their best, and the always-underused Shaw gets some nice moments going with Richard Gunn, a client with kink. The standout, in a much smaller role, is Ross Patterson, doing an obnoxious talent scout routine (your movie's in trouble, however, when an irritating supporting player is much more fun than the main characters). The final misstep is the title, borrowed from the great Ricky Nelson song about phonies on the loose--a bit of overstatement the film didn't need. --Robert HortonThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.Virginia Woolf once described Katherine Mansfield as "of the cat kind, alien, composed, always solitary & observant." All of these qualities are on display in Mansfield's writing, as well; hers are lonely! tales of missed connections, inchoate longings, and complicat! ed emot ions within the context of a rigidly defined social setting. Born in New Zealand, Mansfield set many of her stories there, even though she emigrated to England in 1908 at age 19, never to return. Her characters are almost invariably middle-class, the daughters, sweethearts, wives, and widows of office clerks, military men, businessmen. In "At the Bay," for example, Mansfield focuses on the Burnell family as they take their summer vacation at the beach. Not content to follow just one character through the story, she drifts in and out of the consciousness of half a dozen, from the family cat to Stanley and Linda Burnell, their children, Linda's sister, Beryl and their in-laws, the Trouts. Dipping into Linda's thoughts, for example, we learn that she loves her husband--"not the Stanley whom everyone saw, not the everyday one; but a timid, sensitive, innocent Stanley who knelt down every night to say his prayers and who longed to be good." Unfortunately for Linda, ! "she saw her Stanley so seldom." Mansfield then swoops into the mind of Stanley's brother-in-law, Jonathan Trout, who is discontented with his life but knows he hasn't the will to change it, and then on to Beryl, whose longing for "someone who will find the Beryl they none of them know" leads her into a rash action.

In the title story, Mansfield concentrates on young Laura Sheridan on the afternoon of her family's garden party. The story follows the family through the preparations--flags to identify the different sandwiches, the delivery of cream puffs, the setting up of a marquee on the lawn. This perfect idyll is broken, however, by news of a fatal accident down the lane. A young workman has been killed, leaving a wife and five children. Into Laura's perfect Eden, death comes whispering and her reaction to it is both subtle and surprising. In fact, many of Mansfield's stories feature young women on the brink of adulthood--facing, for the first t! ime, the realities of their constricted lives. Love is a trap! ; childb earing is another; death can be "simply marvellous." Mansfield died in 1923 of tuberculosis, leaving behind a body of work that is as bold, unconventional, and modern as she was. The Garden Party and Other Stories is a fitting epitaph. --Alix WilberThis book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Carter's Garden Party- CANVAS WALL ART-3 PC.

Each piece of the Garden Party Canvas Wall Art measures 12" x 12". They are made of stretched canvas on a wood frame, and come ready to hang.

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Homeward Bound - The Incredible Journey

• The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man

BOUND - DVD MovieDestined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of ! Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that several critics (including Roger Ebert) placed it on their top-ten lists for 1996. --Jeff Shannon

Antonya Nelson is known for her razor-sharp depictions of contemporary family life in all of its sometimes sad, sometimes hilarious complexity. Her latest novel has roots in her own youth in Wichita, in the neighborhood stalked by the serial killer known as BTK (Bind, Torture, and Kill). A story of wayward love and lost memory, of public and private lives twisting out of control, Bound is Nelson's most accomplished and emotionally riveting work.

Catherine and Oliver, young wife and older entrepreneurial husband, are negotiating their ! difference in age and a plethora of well-concealed secrets. Ol! iver, no w in his sixties, is a serial adulterer and has just fallen giddily in love yet again. Catherine, seemingly placid and content, has ghosts of a past she scarcely remembers. When Catherine's long-forgotten high school friend dies and leaves Catherine the guardian of her teenage daughter, that past comes rushing back. As Oliver manages his new love, and Catherine her new charge and darker past, local news reports turn up the volume on a serial killer who has reappeared after years of quiet.

In a time of hauntings and new revelations, Nelson's characters grapple with their public and private obligations, continually choosing between the suppression or indulgence of wild desires. Which way they turn, and what balance they find, may only be determined by those who love them most.

Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesb! ian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that several critics (including Roger Ebert) placed it on their top-ten lists for 1996. --Jeff Shannon

Brought to New England and bound into servitude to pay her father's debts, Alice Cole, at fifteen, can barely remember the time when she was not a servant to John Morton. His daughter, Nabbyâ€"only three years older than Aliceâ€"begins as Alice's childhood co! mpanion, but when Nabby weds, she becomes Alice's mistress. Bu! t the ma rriage is not what it appears, and Alice, endangered by its storm, defies her new master and the law, and escapes to Boston. Impulsively stowing away on a ship to Satucket on Cape Cod, Alice believes that she has left her old life and her secrets behind. Yet in a time of unrest and uncertainty, as political and personal stakes rise and intertwine, she discovers that freedom, friendship, trust, and love each have a price far greater than she ever imagined.

France released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby DTS-HD Master Audio ), French ( Dolby Digital 2.0 ), French ( Dolby DTS-HD Master Audio ), French ( Subtitles ), WIDESCREEN (2.35:1), SPECIAL FEATURES: Cast/Crew Interview(s), Commentary, Featurette, Filmographies, Interactive Menu, Scene Access, SYNOPSIS: Corky, a tough female ex con and her lover Violet concoct a scheme to steal ! millions of stashed mob money and pin the blame on Violet's crooked boyfriend Caeser. SCREENED/AWARDED AT: Fantasporto Awards, Stockholm Film Festival, ...Bound ( The Business )Destined for cult status, this provocative thriller offers a grab bag of genres (gangster movie, comedy, sexy romance, crime caper) and tops it all off with steamy passion between lesbian ex-con Corky (Gina Gershon) and a not-so-ditzy gun moll named Violet (Jennifer Tilly), who meets Corky and immediately tires of her mobster boyfriend (Joe Pantoliano). Desperate to break away from the Mob's influence and live happily ever after, the daring dames hatch a plot to steal $2 million of Mafia money. Their scheme runs into a series of escalating complications, until their very survival depends on split-second timing and criminal ingenuity. Simultaneously violent, funny, and suspenseful, Bound is sure to test your tolerance for bloodshed, but the film is crafted with such undeniable skill that severa! l critics (including Roger Ebert) placed it on their top-ten l! ists for 1996. --Jeff Shannon

YOUNG XING XING IS BOUND.

Bound to her late father's second wife and daughter. Bound to a life of servitude as a young girl in ancient China, where a woman is valued less than livestock. Bound to be alone, with no parents to arrange for a suitable husband. Xing Xing spends her days taking care of her half sister, Wei Ping, who cannot walk because of her foot bindings, the painful tradition for girls who are fit to be married. Even so, Xing Xing is content to practice her gift for poetry and calligraphy, and to dream of a life unbound by the laws of family and society.

But all of this is about to change as Stepmother, who has spent nearly all of the family's money, grows desperate to find a husband for Wei Ping. Xing Xing soon realizes that this greed and desperation may threaten not only her memories of the past, but also her dreams for the future.

Alice Cole spent her first seven years living in t! wo smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.

By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.

But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and ! her lawyer companion, Eben Freeman. Frightened and alone, Alic! e impuls ively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.

At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.

Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-Revolutionary New England and evokes a long-ago time filled with uncertainty, hardship, and promise.

Alice Cole spent her first seven years living! in two smoky, crowded rooms in London with her family. But a new home and a better life waited in the colonies, or so her father promisedâ€"a bright dream that turned to ashes when her brothers and mother took ill and died during the arduous voyage. Arriving in New England unable to meet the added expenses incurred by their misfortunes at sea, her father bound Alice into servitude to pay his debts.

By the age of fifteen, Alice can barely remember the time when she was not a servant to John Morton and his daughter, Nabby. Though work fills her days, life with the Mortons is pleasant; Mr. Morton calls Alice his "sweet, good girl," and Nabby, only three years older, is her friend, companion, and now newly married, her mistress.

But Nabby's marriage is not happy, and soon Alice is caught up in its storm; seeing nothing ahead but her own destruction, she defies her new master and the law and runs away to Boston. There she meets a sympathetic widow named Lyddie Berry! and her lawyer companion, Eben Freeman. Frightened and alone,! Alice i mpulsively stows away on their ship to Satucket on Cape Cod, where the Widow Berry offers Alice a bed and a job making cloth in support of the new boycott of British wool and linen.

At Widow Berry's, Alice believes her old secret is safe, until it becomes threatened by a new one. As the days pass, the political and the personal stakes rise and intertwine, ultimately setting off a chain of events that will force Alice to question all she thought she knew. Bound by law, society, and her own heart, Alice soon discovers that freedomâ€"as well as gratitude, friendship, trust, and loveâ€"has a price far higher than any she ever imagined.

Library Journal hailed Sally Gunning's previous novel, The Widow's War, as "historical fiction at its best." With Bound, this wonderfully talented writer returns to pre-Revolutionary New England and evokes a long-ago time filled with uncertainty, hardship, and promise.

[Siren Menage Everlasting: Erotic Fantasy M! enage a Trois Romance, M/F/M, BDSM, spanking] Megan Starke has never been special to anyone. With an unrewarding job and a failed marriage, no one would confuse her life with a fairy tale. So when she is kidnapped and taken to a magical world to be the grand prize in a fierce and bloody tournament, she isn't sure if she is in a dream or a nightmare. Beckett Finn was supposed to be Prince Charming. He and his brother, Cian, were to inherit the throne of the Seelie Fae and rule over a fantasy kingdom. But the thrust of a traitor's blade stole that future. Now the brothers are fading, cursed by their royal blood unless they find a mate who can restore them. When Beck sees Meg, her body calls to him and he knows she is the key to their salvation. Bound by passion and fate, it's time for Meg to find her happily ever after. ** A Siren Erotic RomanceThis thrilling and thoroughly captivating theatrical hit from Disney has become an instant favorite with audiences of all ages. You'l! l lose your heart to Chance, a fun-loving American bulldog pup! ; Sassy, a hilarious Himalayan cat who lives up to her name; and Shadow, a wise old golden retriever -- all of whom express themselves with very familiar human voices! The adventure begins when the loving owners of these irresistible pets are forced to leave them in the temporary care of a friend who lives hundreds of miles away. But after several days, the worried animals begin to think their family must be in trouble, so they decide to head for home. On their incredible journey across the ruggedly beautiful Sierras, they encounter unexpected surprises from man, beast, and nature alike. It's an unforgettable story of love, courage, and devotion that will delight and inspire generations to come!Walt Disney studios had previously adapted Sheila Burnford's classic animal-adventure novel The Incredible Journey in 1963, and the story proves just as durable in this popular 1993 version, in which the heroic trio of animals are given voices provided by Don Ameche, Michael J. Fox, an! d Sally Field. They don't actually speak (like the clever critters in Babe), but we hear their "voices" as the lost household pets--Shadow the golden retriever, Chance the bulldog, and Sassy the cat--survive a harrowing series of adventures as they struggle to find their way home. Perfect entertainment for kids, this frequently clever movie offers an abundance of wildlife and beautiful location scenery, and the vocal performances by Ameche, Fox, and Field are surprisingly effective. A hit with parents and children alike, the film was followed by a sequel in 1996. --Jeff Shannon

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Baby Geniuses/Superbabies: Baby Geniuses

• DVD, Double Feature, Full Screen, Special Features
• Sony Pictures, both movies 1:33 minutes each

DR. ELENA KINDER IS CONVINCED THAT ALL BABIES ARE BORN KNOWINGTHE SECRETS OF THE UNIVERSE. HER CAPTIVE STABLE OF BABY GENIUSESDON'T THINK ADULTS ARE READY FOR THAT INFORMATION AND SET OUT TOFOIL HER EVIL PLOT.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably fi! lmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasA SUPER-BABY WITH MYSTERIOUS POWERS COMES TO THE AID OF A NEW SET OF BRILLIANT TODDLERS IN THIS HIGH-ADVENTURE SEQUEL.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to ! speak (and dumb down). What she plans to do with this knowledg! e is nev er really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual effects like the animals in Babe. They also karate chop adults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasDr. Elena Kinder (Kathleen Turner) is out to dominate the world. Two-year-old Sly is the only person in her way. Dr. Kinder and her partner in crime, Dr. Heep (Christopher Lloyd), have a covert research lab dedicated to cracking the code to a secret baby language. When Sly escapes from the lab, he joins his twin brother Whit in an effort to expose the nefarious plot. Raised by his uncle (Peter MacNicol), who cares! for special children, Whit is naive to the ways of the world, and is quickly captured by Dr. Kinder. Mistaken for Whit, Sly is taken back to his uncle, where he rallies the other foster babies into a Super commando rescue squad to invade the secret lab in an effort to squash Dr. Kinder's evil plot.When babies babble or draw, adults jokingly say they know what the baby is trying to communicate. What if a clinic found that these babblings and doodles were actually very intelligent responses or scribbling of an ancient form of communication? Well, it seems that all it would create is this tepid comedy. Kathleen Turner runs the clinic that believes babies have "universal knowledge" before they learn to speak (and dumb down). What she plans to do with this knowledge is never really understood, but know this: the plans are evil. The secret lives of babies have been pretty adorably filmed previously with Look Who's Talking, but here the babies talk and move via visual eff! ects like the animals in Babe. They also karate chop ad! ults and talk about such adorable things as "diaper gravy." By the time the story (a variation of The Parent Trap) heats up (relatively speaking), there is not much left to engage us except some cute babies that just look odd as effects take over their mouths and movements. --Doug ThomasStudio: Sony Pictures Home Ent Release Date: 03/30/2010

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Hurley Boys 2-7 Toddler Hurgoth Long-Sleeve Top T-Shirt, Red, 2T

• Mini waffle
• Long sleeve shirt

The story of a young ex-con Jack, newly released from serving a prison sentence for a murder he committed as a child.An intriguing tragedy held together by a pair of remarkable performances, Boy A takes hold of a viewer in its opening scene and never lets go. Andrew Garfield (The Other Boleyn Girl) plays "Jack Burridge," a name chosen for him by a somewhat mysterious, avuncular fellow called Terry (Peter Mullan). Terry seems to be the only person to have maintained a relationship with Jack during the years the latter was incarcerated for a terrible crime he committed, with another child, as a boy. (Their misdeed is slowly revealed in detail through frequent flashbacks.) This British film, based on a novel by Jonathan Trigell and directed by John Crowley (Intermission), begins with Terry smoothing a path for Jack to re-enter the world with a new i! dentity and fabricated personal history. Taking a delivery job in Manchester, Jack slowly learns about everything he missed while growing up in prison: how to order from a menu, how to be a friend, how to woo a woman. In time, Jack enjoys the esteem of co-workers and love of a compassionate girlfriend, Kelly (Siobhan Finneran). But the more he becomes part of the fabric of his world, the more he risks being exposed as a fraud. A strange, almost alien tension permeates Boy A. A viewer gets crucial information in bits and pieces, and a radical shift in one’s perception of what’s actually going on in the story awaits the audience in the second act. As betrayal and manipulation slowly emerge from behind layers of obfuscation and false assumptions, Boy A takes on an unexpected tone of psychological suspense. Crowley has a way of underscoring a sense of disconnection in seemingly benign scenes with only slight accents, little visual cues that are dreamily ex! otic but add up to a nightmare. --Tom Keogh

â€! œA shock er of a first novel . . . told with extraordinary restraint.”â€"The New York Times

“[Jonathan] Trigell masterfully builds sympathy for Jack.”â€"Entertainment Weekly

“A modern-day immorality tale about the attempted rehabilitation of a child implicated in murder . . . delivered with a horrific sense of foreboding.”â€"Arena

“A fine and moving debut novel . . . compulsively readable . . . a rare treat.”â€"The Independent

A is for Apple. A bad apple.

Jack has spent most of his life in juvenile institutions; he’s about to be released with a new name, a new job, and a new life. At twenty-four, he is utterly innocent of the world, yet guilty of a monstrous childhood crime.

To his new friends, he is a good guy with occasional fl ashes of unexplained violence. To his girlfriend, he is strangely innocent and unreachable. To his case worker, he’s a victim of the system and of media-driven hys! teria.

And to himself, Jack is on permanent trial: He struggles to start from scratch, forget the past, become someone else.

A searing and heartfelt novel, Boy A won the Waverton Award for best first novel of 2004; the prestigious John Llewellyn Rhys Prize, for best book in the commonwealth by an author under 35; and The World Book Day Prize 2008 for the most discussion worthy novel by a living writer.

Boy A is now a Cuba Pictures/Channel 4 film starring Andrew Garfield and Peter Mullan. It is directed by John Crowley, produced by Lynn Horsford, and adapted for the screen by Mark O’Rowe. The US theatrical release is out now from The Weinstein Company.

Jonathan Trigell was born in Welwyn, England, in 1974. He has worked as a TV extra, an outdoor pursuits instructor, and a ski rep. He lives in Chamonix, France.

The "Boy Meets World" gang is back for the last of their adventures in the seventh and final season. Join C! ory (Ben Savage) and the gang as they adapt to college and, ev! en more so, life as adults. Cory and Topanga finally tie the knot and learn that living on their own isn’t as easy as they thought, Shawn and Angela get back together as a couple, Eric and Jack take on jobs in the real world, and the Matthews welcome a new addition to the family. Just when they think they’ve got it all figured out, unexpected surprises and newfound opportunities catch them off guard. Enjoy all 23 original episodes of Season 7 and relive the most endearing moments as Cory says good-bye in the final season."Boy Meets World" is back for Cory (Ben Savage) and the gang’s freshman year of college. Relive the funniest and most endearing moments as your favorite characters enter a new phase in their lives. Cory and Topanga learn to exist as an engaged couple, Shawn decides to continue his education, and Eric and Jack find the perfect new roommate. Just when they think they’re growing up, life only gets more complicated.

Disc 1
1. His Answer (P! art 1)
2. His Answer (Part 2)
3. Ain’t College Great?
4. Friendly Persuasion
5. Better than the Average Cory
6. Hogs and Kisses
7. Everybody Loves Stuart
8. You’re Married, You’re Dead


Disc 2
9. Poetic License: An Ode to Holden Caulfield
10. And In Case I Don’t See Ya
11. Santa’s Little Helpers
12. Cutting the Cord
13. We’ll Have a Good time Then
14. Getting Hitched
15. Road Trip
16. My Baby Valentine


Disc 3
17. Resurrection
18. Can I Help To Cheer You?
19. Bee True
20. The Truth About Honesty
21. The Psychotic Episode
22. State of the Unions

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