Friday, November 4, 2011

Friday the 13th (Extended Killer Cut)

  • A man in search of his missing sister stumbles across a deadly secret in the woods surrounding Crystal Lake as Texas Chainsaw Massacre redux duo Michael Bay and Marcus Nispel resurrect one of the silver screen's most feared slashers -- machete-wielding, hockey mask-wearing madman Jason Voorhees. The last time Clay heard from his sister, she was headed toward Crystal Lake. There, amidst the creaky
SEARCHING FOR A MISSING GIRL, A GROUP OF YOUNG ADULTS STUMBLES ON THE CREAKY REMAINS OF ROTTING OLD CABINS IN THE EERIE WOODS OF LEGENDARY CRYSTAL LAKE, WHERE THEY ARE TERRORIZED BY THE INFAMOUS MACHETE-WIELDING JASON VOORHEES.If you thought a bigger budget and an A-list producer (Michael Bay) would go to Jason's head, well, forget it. The indestructible villain of so many bottom-of-the-barrel shockers isn't about to change his shtick, and the 2009 Friday the 13th proves it. This, the umptee! nth sequel (nope, it's not a remake of the origin story) to the original 1980 movie, gives us a clever prologue that manages to fit an entire Jason Voorhees killing spree in a brisk and bloody 20 minutes. Jumping ahead six weeks, the film introduces a carload of clueless teens headed for a weekend at a lakeside cabin, plus a lone motorcyclist (Jared Padalecki) in search of his missing sister (Amanda Righetti). When the "lakeside" happens to refer to Crystal Lake, of course, there can be only one outcome. Cue the hockey mask, and pass the machete. Bay and director Marcus Nispel, who collaborated on the Texas Chainsaw Massacre remake, are surprisingly indifferent to changing up the formula this time, although there's more care taken in building up a few characters, and for once the comic relief (mostly supplied by Aaron Yoo and Arlen Escarpeta) is pretty funny. You might even regret the slaughter of a couple of these young folk, which is an unusual feeling in Fri! day-watching. The film's Jason is quite the athletic fell! ow, and he's assembled an elaborate underground corpse-hiding lair in the vicinity of Crystal Lake. How he's been able to live down there for 30 years (if the film's own timeline is to be believed) and had enough unwitting campers pass by to keep himself entertained is anybody's guess. But if they keep coming, he'll keep slashing. --Robert Horton

Also on the disc
The extended Killer Cut is 106 minutes compared to 97 for the theatrical cut, and it's hard to imagine choosing to watch the theatrical cut if you have a choice. In addition to some more of Amanda Righetti and of Jason, the extra nine minutes is mostly more gore in the gory scenes and more sex in the sexy scenes. If you're squeamish you might not want those things, but if you're that squeamish you probably don't want to watch Friday the 13th in the first place, right? The longer cut will give you more of the stuff that you probably watch this movie for. There's also an 11-minute featurette on th! e new movie and three deleted scenes (a different version of Jason getting his mask, the police response to the phone call, and a revised climax). --David Horiuchi

Hartstrings Baby-Girls Newborn Ginger Bread Interlock Swing Top And Pant Set, Rose Shadow, 6-9 Months

  • 100% Cotton
  • Back snaps on top
  • Full elastic waist pant
Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading.BREAD & ROSES - DVD Movie
Newbery-author Katherine Paterson's tale of the 1912 mill workers' strike -- in paperback!

Rosa’s mother is! singing again—union songs. She’s joined the strike against the corrupt mill owners. Rosa is terrified. What if Mamma is jailed or, worse, killed?

Jake’s dad threatened to kill him if he joined the strike. For Jake, that is reason enough to do so.

Then Rosa, Jake, and the other children living in the middle of the strike are offered a very special opportunity: To live in Vermont until the strike is over. For Rosa, being away from her family is worse than seeing them in harm’s way. For Jake, it’s a chance to start over. For both of them, it’s a time of growing up.

The new baking masterwork from the author of The Cake Bible and The Pie and Pastry Bible.

The Bread Bible gives bread bakers 150 of the meticulous, foolproof recipes that are Rose Levy Beranbaum's trademark. Her knowledge of the chemistry of baking, the accessibility of her recipes, and the incomparable taste of her creations make this book inva! luable for home cooks and professional bakers alike.
"U nderstanding" and "Pointers for Success" sections explain in simple, readable language the importance of various techniques and ingredients demonstrated in a recipe, providing a complete education in the art of baking, with thorough sections on types of flour, equipment, and other essentials. Easy-to-use ingredient tables provide both volume and weight, for surefire recipes that work perfectly every time.

Recipes include bread made with yeast starters, quick breads, flatbreads, brioche, and much more. From ciabatta, semolina, rye, and sourdough breads to bagels, biscuits, crumpets, and pizza dough, The Bread Bible covers all the baking bases. 225 line drawings and 32 pages of color illustrationsRose Levy Beranbaum's The Cake Bible introduced readers to a newly illuminating baking-book approach--a precisely detailed yet accessible recipe format emphasizing baking science. The Bread Bible follows the same plan, offering 150 recipes, arrang! ed by type, for a great variety of baked goods--from muffins, popovers, and English muffins to sandwich loaves, focaccia, rolls, hearth breads, rye bread, challah, and more, with a particularly vivid (and passionate) stop at sourdough loaves. Instruction is abetted by 32 pages of photos plus 300 step-by-step illustrations that depict, for example, bagel forming, in exact, imitable detail. In addition, an introductory section, "The Ten Essential Steps of Making Bread," includes a particularly lucid discussion on the way yeast works plus an invaluable comparison of kneading methods. Like the book's final look at ingredients, these "mini-texts" provide information uncommon to most home bread books, rendered in simple language that allays fears of putting one's hand in the dough.

All this is impressive indeed, and readers bitten by the bread-baking bug will welcome the ultra-thorough Beranbaum approach. The less committed may find her technical demands too painstaking (h! er baguette recipe requires two starters, for example; though ! simpler loaves are, of course, offered) or even impractical (ingredient quantities using grams are sometimes given in minute fractions, requiring a special scale). The frequent inclusion of alternate mixing methods and equipment options can also make the formulas unwieldy. On the other hand, features like Pointers for Success and Understanding often yield exciting discovery as well as rewarding results. In short, this Beranbaum bible answers virtually every bread-making question, as well as providing exemplary formulas. It's the real deal for those willing to bake along with Rose. --Arthur Boehm Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dic! kensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading. Told here for the first time, the riveting story of the most remarkable strike in American history

On January 12, 1912, an army of textile workers stormed out of the mills in Lawrence, Massachusetts, commencing what has since become known as the “Bread and Roses” strike. Based on newspaper accounts, magazine reportage, and oral histories, Watson reconstructs a Dickensian drama involving thousands of parading strikers from fifty-one nations, unforgettable acts of cruelty, and even a protracted murder trial that tested the boundaries of free speech. A rousing look at a seminal and overlooked chapter of the past, Bread and Roses is indispensable reading.Us! es original source material to portray the momentous changes t! hat took place in American labor, industry, and trade-unionism following the Civil War. Focuses on the work environment in this early age of mass production and mechanization, and shows how abusive conditions often led to labor unrest.From the producer of Selena and directed by award-winning actor Edward James Olmos comes the stirring true story of courage and justice. The year is 1968, the height of the national civil-rights movement. Paula Crisostomo (Alexa Vega, Spy Kids) is an idealistic honor student who refuses to "play it safe" in a school system that discriminates against Mexican-Americans. Together with thousands of supporters, she coordinates a multi-school walkout of students to protest academic prejudices. Mentored by her charismatic teacher Sal Castro (Michael Pena, Million Dollar Baby), and with the help of her friend Bobby (Efran Ramirez, Napoleon Dynamite), Paula learns that sometimes the price of progress is high - but it's ultimately worth paying.In an era when so ! many movies about inner-city youth focus on gangs, drugs, and violence, Walkout deserves props for its sincere depiction of the peaceful efforts of Chicano students to effect positive change in the Los Angeles school system. The year is 1968, a time of profound social upheaval, what with the assassinations of Martin Luther King and Robert Kennedy, the escalation of the Vietnam War, the chaotic scene in Chicago during the Democratic Convention, and so on. In East L.A., a young schoolteacher (Michael Pena) tries to instill pride in his students, reminding them of Chicano contributions to the Civil War and 'Nam and taking them on a tour of the west side, where they see how the other (i.e., whiter) side lives. Laura Crisostomo (Alexa Vega from the Spy Kids series), a good girl and ace student, soon finds herself caught up in the movement to improve conditions at local high schools--much to the chagrin of her dad (Yancey Arias), a strict Filipino immigrant mistrust! ful of "agitators" (this father-daughter dynamic, while not th! e film's only cliché, is perhaps its most obvious). Said conditions are not, in fact, all that horrendous; there's nothing good about corporal punishment (students are "swatted" for speaking Spanish during an English lit class), of course, but the lack of Mexican food in the cafeteria and the fact that school bathrooms are closed during lunch are hardly issues of earth-shattering importance. The students persist nonetheless, leading to mass boycotts (the titular "walkouts"), the predictable over-reaction by police and other authorities, and, eventually, some tangible results. All of this is presented by director Edward James Olmos (who also has a small onscreen role) and three screenwriters in the kind of earnest, inspiring style of a TV movie of the week (the film originally aired on HBO in 2006). But while Walkout is hardly what you'd call "edgy," its efforts to refute stereotypes and promote Mexican-American cultural awareness are nothing if not admirable. Bonus features ! include three audio commentary tracks, with participation by Olmos, the writers, and executive producer Moctesuma Esparza, who was part of the student movement (and is portrayed in the film). --Sam Graham

Divine Secrets of the Ya-Ya Sisterhood: A Novel

  • ISBN13: 9780060759957
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
DIVINE SECRETS OF THE YA YA SISTERHOO - DVD MovieGrab your tissues and send the guys away, because Divine Secrets of the Ya-Ya Sisterhood is the most pedigreed chick flick since Steel Magnolias. You can tell by the title and the novelish names of the Louisiana ladies from Rebecca Wells's precious bestseller. First there's Sidda (Sandra Bullock), a successful playwright still wrestling with her manipulative mother, Vivi (Ellen Burstyn), after a traumatic upbringing. Then there's longtime friends Teensy (Fionnula Flanagan), Necie (Shirley Knight), and Caro (scene-stealer Maggie Smith), from Vivi's secret club of "Ya-Ya Priestesses," together since childhood and determined to heal the rift b! etween Sidda and her mom. Through an ambitious flashback structure (including Ashley Judd as the younger Vivi), screenwriter and first-time director Callie Khouri (who wrote Thelma & Louise) establishes a rich context for this mother-daughter reunion. There's plenty of humor to temper the drama, which inspires Bullock's best work in years. Definitely worth a look for the curious, but only fans of Wells's fiction will feel any twinge of loyalty. --Jeff Shannon

When Siddalee Walker, oldest daughter of Vivi Abbott Walker, Ya-Ya extraordinaire, is interviewed in the New York Times about a hit play she's directed, her mother gets described as a "tap-dancing child abuser." Enraged, Vivi disowns Sidda. Devastated, Sidda begs forgiveness, and postpones her upcoming wedding. All looks bleak until the Ya-Yas step in and convince Vivi to send Sidda a scrapbook of their girlhood mementos, called "Divine Secrets of the Ya-Ya Sisterhood." As Sidda struggles to anal! yze her mother, she comes face to face with the tangled beauty! of impe rfect love, and the fact that forgiveness, more than understanding, is often what the heart longs for.

Divine Secrets of the Ya-Ya Sisterhood may call to mind Prince of Tides in its unearthing of family darkness; in its unforgettable heroines and irrepressible humor and female loyalty, it echoes Fannie Flagg's Fried Green Tomatoes at the Whistle Stop Cafe.Wells is a Louisiana-born Seattle actress and playwright; her loopy saga of a 40-year-old player in Seattle's hot theater scene who must come to terms with her mama's past in steamy Thornton City, Louisiana, reads like a lengthy episode of Designing Women written under the influence of mint juleps and Faulkner's Absalom, Absalom!. The Ya-Yas are the wild circle of girls who swirl around the narrator Siddalee's mama, Vivi, whose vivid voice is "part Scarlett, part Katharine Hepburn, part Tallulah." The Ya-Yas broke the no-booze rule at the cotillion, skinny-dipped their way to j! ail in the town water tower, disrupted the Shirley Temple look-alike contest, and bonded for life because, as one says, "It's so much fun being a bad girl!"

Siddalee must repair her busted relationship with Vivi by reading a half-century's worth of letters and clippings contained in the Ya-Ya Sisterhood's packet of "Divine Secrets." It's a contrived premise, but the secrets are really fun to learn.

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