Sunday, November 13, 2011

Exit Wounds

  • A tough but burned-out New York City policeman assigned to a remote Long Island precinct uncovers corruption among his fellow officers there.Running Time: 101 min. Format: DVD MOVIE Genre: MYSTERY/SUSPENSE Age: 085392106929 UPC: 085392106929 Manufacturer No: 21069
A tough but burned-out New York City policeman assigned to a remote Long Island precinct uncovers corruption among his fellow officers there.

DVD Features:
Documentary
Featurette
Filmographies
Music Video:by DMX
Theatrical Trailer

One can always count on Steven Seagal to act as the repository of yesterday's action-film clichés, and Exit Wounds is yet another case in point. Seagal plays Detroit cop Orin Boyd, a lone wolf lawman who gets in the middle of his precinct's losing battle against police corruption. Taking on a powerful but crooked cop named Montin! i (David Vadim)--who is busy making deals with a rich gangster (DMX)--Boyd soon sends fists and feet flying while Tom Arnold provides the comic relief. Director Andrzej Bartkowiak surely had less fun guiding Seagal through slow-motion fight sequences than he did Jet Li in Romeo Must Die, but as compensation he gets to work with the mesmerizing DMX, who looks as though he has leading-man possibilities. Plenty of gratuitous gore, awful cop banter, and miles of cleavage courtesy of Jill Hennessy, who plays Boyd's tough-as-nails boss. --Tom Keogh

Flash of Genius

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
Based on the true story of college professor and part-time inventor Robert Kearns’ (Greg Kinnear) long battle with the U.S. automobile industry, Flash of Genius tells the tale of one man whose fight to receive recognition for his ingenuity at any price. This determined engineer refused to be silenced, and he took on the corporate titans in a battle that nobody thought he could win. When Bob invents a device that would eventually be used by every car in the world, the Kearns think they have struck gold. But their aspirations are dashed after the auto giants who embraced Bob’s creation unceremoniously shunned the man who invented it. While refusing to compromise his dignity, this everyday David will try the unthinkable: to bring Goliath to his knees.In the early-1990s, Greg Kinne! ar was just another amiable talk show host. After As Good As It Gets, however, Kinnear confirmed he could act. If Flash of Genius isn't as harrowing as the Bob Crane biopic Auto-Focus, Kinnear digs just as deep to play a man possessed, in this case taking on Bob Kearns, a Detroit physics professor who invented the intermittent windshield wiper. Supported by his wife (Lauren Graham) and best friend (Dermot Mulroney, making the most of an underwritten part), Kearns aims to align himself with a Motor City auto maker to manufacture his device. Ford expresses interest, so Kearns secures a warehouse, but it all falls apart when they abruptly pull the plug. Then he finds out that they've added automatic wipers to their latest line. Though he patented his invention, the company denies they're using his blueprint, so Kearns takes them to court, a process that drags on for three decades. Meanwhile, his support system starts to collapse as Kearns loses inter! est in everything except the credit he feels he deserves. If t! he film succumbs to some of the pitfalls of the genre, i.e. the win-lose-win structure, producer-turned-director Marc Abraham never paint Kearns as too much of a hero. Through the inventor's brilliance, the world's streets are safer, but his tenacity also drove away some of those he held most dear. Hence, Flash of Genius serves as an inspirational story, a cautionary tale, and the perfect opportunity for Kinnear to make a potentially off-putting character sympathetic. --Kathleen C. Fennessy


Stills from Flash of Genius (Click for larger image)


 
 




Fellowes Shredder Oil, 12 oz. Bottle with Extension Nozzle (35250)

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The Big Squeeze takes a fresh, probing, and often shocking look at the stresses and strains faced by tens of millions of American workers as wages have stagnated, health and pension benefits have grown stingier, and job security has shriveled.

Going behind the scenes, Steven Greenhouse tells the stories of software engineers in Seattle, hotel housekeepers in Chicago, call center workers in New York, and janitors in ! Houston, as he explores why, in the world’s most affluent nation, so many corporations are intent on squeezing their workers dry. We meet all kinds of workers: white collar and blue collar, high tech and low tech, middle income and low income; employees who stock shelves during a hurricane while locked inside their store, get fired after suffering debilitating injuries on the job, face egregious sexual harassment, and get laid off when their companies move high-tech operations abroad. We also meet young workers having a hard time starting out and seventy-year-old workers with too little money saved up to retire.

The book explains how economic, business, political, and social trendsâ€"among them globalization, the influx of immigrants, and the Wal-Mart effectâ€"have fueled the squeeze. We see how the social contract between employers and employees, guaranteeing steady work and good pensions, has eroded over the last three decades, damaged by massive layoffs of facto! ry and office workers and Wall Street’s demands for ever-hig! her prof its. In short, the postâ€"World War II social contract that helped build the world’s largest and most prosperous middle class has been replaced by a startling contradiction: corporate profits, economic growth, and worker productivity have grown strongly while worker pay has languished and Americans face ever-greater pressures to work harder and longer.

Greenhouse also examines companies that are generous to their workers and can serve as models for all of corporate America: Costco, Patagonia, and the casino-hotels of Las Vegas among them. Finally, he presents a series of pragmatic, ready-to-be-implemented suggestions on what government, business, and labor should do to alleviate the squeeze.

A balanced, consistently revealing exploration of a major American crisis.2002 compilation includes for the initial pressing a bonus limited edition B-sides disc with 19 tracks, 'Suites From Five Strangers', 'Squabs On Forty Fab', 'Model', 'Spanish Guitar', 'Elephant Gi! rl', 'Trust', 'Yap Yap Yap', 'Fortnight Saga', 'Wedding BeWhy, in the world's most affluent nation, are so many corporations squeezing their employees dry? In this fresh, carefully researched book, New York Times reporter Steven Greenhouse explores the economic, political, and social trends that are transforming America's workplaces, including the decline of the social contract that created the world's largest middle class and guaranteed job security and good pensions. We meet all kinds of workersâ€"white-collar and blue-collar, high-tech and low-tech, middle-class and low-incomeâ€"as we see shocking examples of injustice, including employees who are locked in during a hurricane or fired after suffering debilitating, on-the-job injuries.

With pragmatic recommendations on what government, business and labor should do to alleviate the economic crunch, The Big Squeeze is a balanced, consistently revealing look at a major American crisis.

From the Trade Paperback edition.Why, in the! world's most affluent nation, are so many corporations squeezing their employees dry? In this fresh, carefully researched book, New York Times reporter Steven Greenhouse explores the economic, political, and social trends that are transforming America's workplaces, including the decline of the social contract that created the world's largest middle class and guaranteed job security and good pensions. We meet all kinds of workersâ€"white-collar and blue-collar, high-tech and low-tech, middle-class and low-incomeâ€"as we see shocking examples of injustice, including employees who are locked in during a hurricane or fired after suffering debilitating, on-the-job injuries.

With pragmatic recommendations on what government, business and labor should do to alleviate the economic crunch, The Big Squeeze is a balanced, consistently revealing look at a major American crisis.


From the Trade Paperback edition.Shredder lubricant keeps your shredde! r running at peak performance by conditioning the cutters and extending the life of your shredder. For best results, oil shredder each time you empty the wastebasket or a minimum of twice a month. Global Product Type: Shredder Lubricants; Packaging: Bottle; Capacity (Volume): 12 oz; Quantity: 1 each.

MSA Safety Works 10061646 Bifocal Safety Glasses, 2.0 Diopeter

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For use in reading project instructions, seeing detail sanding/cutting work or woodworking activities. Molded-in 2.0 diopter bifocal lenses are out of line of sight when not looking down. Soft molded-in rubber temples help keep glasses comfortably secure. Anti-fog lenses help maintain clear vision. Meets American National Standards Institute's ANSI Z87.1-2003 standard. Applications: Power tool work, Sawing/drilling metal or wood, Hammering, Overhead work.

High Tension

  • DVD Details: Actors: Cecile De France, Maiwenn Le Besco, Philippe Nahon, Franck Khalfoun, Andrei Finti
  • Directors: Alexandre Aja
  • Format: Closed-captioned, Color, Dolby, Dubbed, DVD, Full Screen, Subtitled, NTSC
  • Aspect Ratio: 1.33:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: October 11, 2005 ; Run Time: 91 minutes
HIGH TENSION - DVD MovieHome to some of the world's best food and fashion, the French also have the wonderful habit of producing some of the world's best movies. With High Tension, French director Alexandre Aja offers up a bloody buffet of terror; a violent concoction of style over substance, with a bloody French twist. Two college girlfriends, Maria and Alex, take a weekend to study at the secluded country home of Alex's parents. Shortly after their arrival, a mysterious killer appears, and things take a shockingly terribl! e turn for the worse. As the horror and body count rises, Maria and Alex find themselves fighting for their lives, and it's revealed that things are not exactly as they seem. Essentially a one-act cat-and-mouse affair, High Tension is an explosive bloody thrill ride that rarely lets up. Oozing style in every color-saturated frame and boasting some intense performances, Aja mainly succeeds in sustaining an intense momentum throughout the film. The plot occasionally suffers from a thin, flimsy storyline, and the abundant graphic scenes of violence will either thrill and delight, or simply disgust. Nonetheless, this adrenalin-fueled addition to the genre gives the American slasher flick a real run for its money. High Tension is high-art horror, and comes highly recommended. --Matt WoldHIGH TENSION is an intense game of murder and survival, which will rattle viewers to their core. Marie and Alexia are classmates and best friends who go to Alexiaâ€! ™s family home in the French countryside hoping to prepare for! their c ollege exams in peace and quiet. In the dead of night, a psychotic killer breaks into the house, and with the first swing of his knife, the girl’s idyllic weekend turns into an endless nightmare. When Alexia is captured and thrown into a van, Marie attempts to rescue her friend from the evil murderer. High Tension truly brings slasher films back to their roots with this gore-addled film, packed with blood and guts.For much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, and trimmed of its most excessive gore to avoid an NC-17 rating during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't s! uch a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff ShannonHIGH TENSION - DVD MovieFor much of its running time, High Tension earns its title as a gory and suspenseful tale of hot pursuit. Originally titled Switchblade Romance in England, a! nd trimmed of its most excessive gore to avoid an NC-17 rating! during its brief U.S. theatrical release, this French horror film provokes a memorable case of high anxiety from its alluring female lead (Cecile de France), but it's an otherwise brainless exercise with a ludicrous conclusion that renders the entire film null and void. It's essentially a Texas Chainsaw wanna-be, which isn't such a bad thing if you're a horror buff with an appetite for gruesome death at the hands of a brutal and nameless serial killer. Dressed in greasy coveralls and a baseball cap, and driving a rusty old delivery van, the killer indiscriminately destroys an entire family before chasing after the tomboyish Marie (de France), who is trapped in a nonsensical screenplay that won't let her go. With a high body count and buckets of bloodshed, High Tension has moments of delirious intensity, which is probably why Lion's Gate (bolstered by the success of Saw and other horror hits) deemed the film worthy of U.S. release with some (but not all) of its ! French dialogue badly dubbed in English. It's horror for die-hards only, and on those terms it's worth a look. --Jeff Shannon

Desperate Measures

  • ISBN13: 9780345523853
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A spellbinding story of passion, heartbreak, and the elation that comes with the search for true love

Bestselling author Fern Michaels has always thrilled readers with her involving novels of vivid characters looking for love in the face of overwhelming odds. In Desperate Measures, she shares the story of Pete Sorenson, an orphan whose wealthy uncle has given him a fairy-tale lifeâ€"complete with a sweet princess named Annie who provides the emotional support that Pete needs to launch his career as a high-powered attorney. Then Maddie Stern enters the picture. Maddie was a foster child, too, and her breathtaking beauty and mysterious allure entrance Pete. Together they plan a won! derful futureâ€"until fate changes all their lives: Pete’s, Maddie’s, and Annie’s. Filled with all the drama, passion, and emotion that have made her novels international bestsellers, Desperate Measures is Fern Michaels writing at the top of her form and at her storytelling best.

The Ballad of Jack and Rose Poster Movie 11x17 Daniel Day-Lewis Camilla Belle Catherine Keener

  • Approx. Size: 11 x 17 Inches - 28cm x 44cm
  • Size is provided by the manufacturer and may not be exact
  • The Amazon image in this listing is a digital scan of the poster that you will receive
  • The Ballad of Jack and Rose 11 x 17 Inches Style A Mini Poster
  • Packaged with care and shipped in sturdy reinforced packing material
From the award-winning writer-director of Personal Velocity comes a startling drama about the nature of family and the meaning of ideals

In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only other companion is his 16-year-old daughter Ro! se (Camilla Belle), whom he has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her innocence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has
created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's! sudden coming-of-age.

Oscar(r) winner* Daniel Da! y-Lewis (Gangs of New York) is "a joy to watch" (Newsday) as a defiant idealist in this "moving, often hilariouscoming-of-age story" (Vogue) from writer-director Rebecca Miller (Personal Velocity). Catherine Keener (Being John Malkovich), Camilla Belle (Practical Magic), Beau Bridges (The Fabulous Baker Boys), Jason Lee (Almost Famous) and Jena Malone (Saved!) co-star. Jack (Day-Lewis) and his 16-year-old daughter Rose (Belle) live in relative isolation on a beautiful island off the East Coast. When he invites his mainland girlfriend (Keener) and her two teenage sons to come live with them, it is Rose's first exposure to society - and sexuality. As worlds collide, the consequences will threaten not only Jack and Rose's way of life but also their unusually close bond. *1989: Actor, My Left Foot.Soured radical Jack (Daniel Day-Lewis) and his adoring daughter Rose (Camilla Belle) have formed an unsettling degree of happy intimacy in an abandoned commune. But Jack's heart condition leav! es him fearful of what will happen to Rose when he dies; to create a family, he invites home his secret girlfriend Kathleen (Catherine Keener, Lovely and Amazing) and her two sons, one overweight and neurotic (Ryan McDonald), the other an aspiring thug (Paul Dano). The collision of cultures and personalities leads to disaster--but this movie is so honestly written and vividly acted that it's impossible not to be drawn in. Great work from Day-Lewis and Keener is no surprise, but Belle matches them as a near wild-child confronting the compromises and conflicting desires of adult life. The perfectly pitched cast also includes Jena Malone (Saved), Jason Lee (Mumford), and Beau Bridges (The Fabulous Baker Boys). Writer/director Rebecca Miller (Personal Velocity) has a gift for both hope and heartbreak. This is only the third film of what promises to be a long and rich career. --Bret Fetzer
From the award-winning writer-director of! Personal Velocity comes a startling dram! a about the nature of family and the meaning of ideals

In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only other companion is his 16-year-old daughter Rose (Camilla Belle), whom he has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her inno! cence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has
created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's sudden coming-of-age.

From the award-winning writer-director of Personal Velocity comes a startling drama about the nature of family and the meaning of ideals

In his first role since Gangs of New York, Daniel Day-Lewis plays Jack Slavin, an engineer who over thirty years ago walked away from the mainstream to live out a more deliberate life. But the island commune he began in hopes of a better future has long since imploded and he is now its final resident. Jack's only ot! her companion is his 16-year-old daughter Rose (Camilla Belle)! , whom h e has deliberately sheltered from the outside world. Now, beset by terminal illness, encroaching developers, and Rose's emerging womanhood, Jack faces troubling questions about the days ahead. In an attempt to provide his daughter with the kind of family she's never known, Jack invites Kathleen (Catherine Keener), the woman he's been secretly seeing on the mainland, and her sons to live with them. But rather than comforted, Rose feels betrayed and lashes out with a willful and deliberate retribution that places her innocence on the battlefield and Kathleen's safety in danger. His carefully constructed world flung out of control, Jack finds himself trapped between two headstrong women and forced to take action. With The Ballad of Jack and Rose, award-winning filmmaker Rebecca Miller has
created a powerful and poetic third feature about a man who has cut himself off from a society that refuses to live up to his standards, and a young girl's sudden coming-of-age.
Oscar(r) winner* Daniel Day-Lewis (Gangs of New York) is "a joy to watch" (Newsday) as a defiant idealist in this "moving, often hilariouscoming-of-age story" (Vogue) from writer-director Rebecca Miller (Personal Velocity). Catherine Keener (Being John Malkovich), Camilla Belle (Practical Magic), Beau Bridges (The Fabulous Baker Boys), Jason Lee (Almost Famous) and Jena Malone (Saved!) co-star. Jack (Day-Lewis) and his 16-year-old daughter Rose (Belle) live in relative isolation on a beautiful island off the East Coast. When he invites his mainland girlfriend (Keener) and her two teenage sons to come live with them, it is Rose's first exposure to society - and sexuality. As worlds collide, the consequences will threaten not only Jack and Rose's way of life but also their unusually close bond. *1989: Actor, My Left Foot.Soured radical Jack (Daniel Day-Lewis) and his adoring daughter Rose (Camilla Belle) have formed an unsettling degree of happy intimacy in an abando! ned commune. But Jack's heart condition leaves him fearful of ! what wil l happen to Rose when he dies; to create a family, he invites home his secret girlfriend Kathleen (Catherine Keener, Lovely and Amazing) and her two sons, one overweight and neurotic (Ryan McDonald), the other an aspiring thug (Paul Dano). The collision of cultures and personalities leads to disaster--but this movie is so honestly written and vividly acted that it's impossible not to be drawn in. Great work from Day-Lewis and Keener is no surprise, but Belle matches them as a near wild-child confronting the compromises and conflicting desires of adult life. The perfectly pitched cast also includes Jena Malone (Saved), Jason Lee (Mumford), and Beau Bridges (The Fabulous Baker Boys). Writer/director Rebecca Miller (Personal Velocity) has a gift for both hope and heartbreak. This is only the third film of what promises to be a long and rich career. --Bret FetzerSoured radical Jack (Daniel Day-Lewis) and his adoring daughter Rose (Camill! a Belle) have formed an unsettling degree of happy intimacy in an abandoned commune. But Jack's heart condition leaves him fearful of what will happen to Rose when he dies; to create a family, he invites home his secret girlfriend Kathleen (Catherine Keener, Lovely and Amazing) and her two sons, one overweight and neurotic (Ryan McDonald), the other an aspiring thug (Paul Dano). The collision of cultures and personalities leads to disaster--but this movie is so honestly written and vividly acted that it's impossible not to be drawn in. Great work from Day-Lewis and Keener is no surprise, but Belle matches them as a near wild-child confronting the compromises and conflicting desires of adult life. The perfectly pitched cast also includes Jena Malone (Saved), Jason Lee (Mumford), and Beau Bridges (The Fabulous Baker Boys). Writer/director Rebecca Miller (Personal Velocity) has a gift for both hope and heartbreak. This is only the third film ! of what promises to be a long and rich career. --Bret Fetze! rThe Ballad of Jack and Rose reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm Style A mini poster print

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How to Cook Your Life

  • DVD Details: Actors: Edward Espe Brown, Doris Dörrie, Fidelis Mager, Franz X. Gernstl, Richard Sterling
  • Directors: Doris Dörrie
  • Format: Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
  • Aspect Ratio: 1.78:1 ; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: May 6, 2008 ; Run Time: 94 minutes
HOW TO COOK YOUR LIFE - DVD MovieDorris Dörrie's jazz-inflected documentary should come with a disclaimer: Don't watch on an empty stomach. While it doesn't cover the basics of food preparation, How to Cook Your Life offers a delectable introduction to Buddhist living. Yes, subject Edward Brown is both pastry chef and Zen priest, but Dörrie's approach is more holistic than instructional. (For culinary specifics, viewers can always pick up Brown's bestselling how-to guide, The Tassajara Bread Book.) In other words, home cooking--as opposed to fa! st food and pre-packaged goods--isn't just healthier and better for the environment; it connects the creator to the product of their efforts. And it helps if they know more about the tools of their trade. Hence, the director of 2000's Enlightenment Guaranteed and a Buddhist practitioner herself, also interviews organic gardeners, cookware salespeople, and the like. Throughout, Brown shows students in the US and Austria how to prepare vegetarian pizza, fruit tarts, and other wholesome delights. All the while, he talks about the connection between the body and the spirit. Fortunately, Brown isn't some kind of holier-than-though type. Little things, like hard-to-open packages, can set him off, but he's just as quick to laugh. To him, cooking is a way to nourish yourself and others. As he likes to say, "When you wash the rice, wash the rice." (True, he sounds like Yoda at times; it’s actually quite charming.) Like Super-Size Me, How to Cook Your Life is a! n elegy for those long-lost days of leisurely dinners with lov! ed ones. --Kathleen C. Fennessy

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